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Hannah Lynch 1859-1904
This is the first full-length critical study of author, critic, and translator Hannah Lynch. It explores her writing and her life, in doing so shedding new light on women's cultural and political networks in Ireland and beyond. Never one to shy away from adventure or confrontation, Lynch travelled widely in body and in mind in the course of her relatively short life. She was born in Dublin in 1859 to a family whose nationalist affiliations shaped her early activism. She worked as London Secretary to the Ladies' Land League in the early 1880s, and helped to publish and to circulate United Ireland when it was proscribed. A self-declared 'vagabond' and restless wanderer, she encountered diverse...
GEORGE MEREDITH A STUDY BY HANNAH LYNCH
A couple of months ago I was asked to give a lecture in Paris on a modern English writer, and I naturally selected my favourite, the subject of this little book. It was afterwards suggested to me that the lecture would bear expansion, a task I the more readily undertook because I was happy enough to learn that my humble effort had sent at least three intellectual foreigners to the fountainhead to study for themselves the novels of Mr. Meredith, curious to see if I had not overrated his merits, as is the habit of enthusiastic disciples, and greatly astonished to find their expectations disappointed, and my estimate unexaggerated. While still engaged upon this work I received from London Mr. Le Gallienne’s book, ‘George Meredith,’ and not having by me copies of ‘Modern Love’ or the other poems of Mr. Meredith, I availed myself of his quotations of the famous sonnet and ‘A Meeting.’ I have also taken from Mr. Lane’s Bibliography, added to Mr. Le Gallienne’s book, the dates of the appearance of each of the novels, as my own copies all belong to the recent uniform editions published by Messrs. Chapman and Hall. HANNAH LYNCH
Autobiography of a Child
Hannah Lynch's classic tale of the childhood of a young Irish girl.
The Autobiography of A Child
Step into the vivid world of Hannah Lynch's "The Autobiography of a Child," where innocence meets experience and the journey of self-discovery unfolds in a captivating narrative that transcends time. Follow the captivating journey of a child as they navigate the complexities of growing up, from the innocent joys of youth to the profound moments of self-realization. Through the eyes of the young protagonist, readers are invited to witness the wonders of the world and the challenges of coming of age. At its heart, "The Autobiography of a Child" is a poignant exploration of the human spirit and the universal quest for identity and meaning. Lynch's evocative prose captures the essence of childho...
The Irish Revival
The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of “complexity,” a theory recently developed in the informa...
Irish Women Writers
After a decade in which women writers have gradually been given more recognition in the study of Irish literature, this collection proposes a reappraisal of Irish women's writing by inviting dialogues with new or hitherto marginalised critical frameworks as well as with foreign and transnational literary traditions. Several essays explore how Irish women writers engaged with European themes and traditions through the genres of travel writing, the historical novel, the monologue and the fairy tale. Other contributions are concerned with the British context in which some texts were published and argue for the existence of Irish inflections of phenomena such as the New Woman, suffragism or vegetarianism. Further chapters emphasise the transnational character of Irish women's writing by applying continental theory and French feminist thinking to various texts; in other chapters new developments in theory are applied to Irish texts for the first time. Casting the efforts of Irish women in a new light, the collection also includes explorations of the work of neglected or emerging authors who have remained comparatively ignored by Irish literary criticism.
As Told By Herself
Introduction -- Beginnings: women's childhood autobiography prior to World War I -- The interwar years: memoirs and semi-memoirs -- The interwar years: the golden age of psychological self-portraiture -- Women's childhood autobiography during World War II -- Women's childhood autobiography from the end of the Second World War through the 1960s -- Conclusion.
Dutch Treat
"The time is June 1940. Nazi panzer divisions are churning across northern Europe, leaving ruin and demoralization in their wake. A British commando team sneaks into Amsterdam, and right under the nose of the advance units of the Wehrmacht steals the Dutch crown treasure from the Royal Palace and prepares to whisk it back to the safety of England."--Back cover.
Narrating Irish Female Development, 1916–2018
Narrating Irish Female Development, 1916-2018 studies narratives of Irish female and feminized development, arguing that these postmodern narratives present Irish female maturation as disordered and often deliberately disorderly. The first full-length study of the Irish female coming of age story, the book develops a feminist psychoanalytic narratology, derived from the belated oedipalization of Joyce’s bildungsheld, to read these stories. This study argues that all Irish maturation stories are shaped by the uneven and belated maturation story of the Irish republic itself, which took as its avatar the Irish woman, whose citizenship in that republic was unrealized, as indeed was her citizenship in an Irish republic of letters. Dougherty takes the writing of Irish women as seriously as other critics have taken Joyce’s work.
