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"Raises the stakes for the rest of us writers" ISABEL WAIDNER "An important new talent" FIONA SHAW "Bold and inventive . . . I loved it" IRENOSEN OKOJIE "Silva's book asks all the right questions" JOANNA WALSH "Curious, queer, whip-smart, hilarious and tender" GAIL MCCONNELL A living exploration of undoing and redoing queer single parenting and love, in conversation with an AI algorithm and a toddler. As Hannah Silva navigates friendship, dating and life as a queer single parent in London, her toddler and the algorithm contribute humour, play and insight. With the help/disruption of these unreliable narrators, Hannah deconstructs her story, and constructs a new one. She unravels everything she has been taught to want, finding alternative ways of thinking, loving and parenting today. Queer, creative, sexy and compassionate, My Child, the Algorithm is non-fiction at its finest.
'Forms of Protest' collects together for the first time the work of Hanna Silva, a poet known for her fearless and wholly original vocal performances. These poems and experimental texts oscillate between sense and nonsense, meaning and music, deconstructing traditional discourse and always testing the limits of language to represent the lived world.
Drawing on dramatic monologue, historical narratives, poetry of witness, and an integral intimate-domestic voice, this compilation portrays a visceral emotive patchwork of everyday dramas in the fabric of ordinary life. Written by a poet whose sense of rootedness shapes the dimensions of her work, it delves into a multiplicity of places, characters, locations, landscapes, and languages. From Grenada to the Heathrow airport, these poems are interconnected in a larger diasporic story.
An inspired application of Possible World theory to approach and interpret the acoustic environment, music and sound art.
Spoken Word in the UK is a comprehensive and in-depth introduction to spoken word performance in the UK – its origins and development, its performers and audiences, and the vast array of different styles and characteristics that make it unique. Drawing together a wide range of authors including scholars, critics, and practitioners, each chapter gives a new perspective on performance poetics. The six sections of the book cover the essential elements of understanding the form and discuss how this key aspect of contemporary performance can be analysed stylistically, how its development fits into the context of performance in the UK, the ways in which its performers reach and engage with their audiences, and its place in the education system. Each chapter is a case study of one key aspect, example, or context of spoken word performance, combining to make the most wide-ranging account of this form of performance currently available. This is a crucial and ground-breaking companion for those studying or teaching spoken word performance, as well as scholars and researchers across the fields of theatre and performance studies, literary studies, and cultural studies.
Discover a strange new world of poetic form in this inspiring and inventive new anthology. Univocalisms, lippograms, cut-ups, anti-sonnets and other oddities are just some of the experiments on offer, along with poems as tweets, suduko, directions and even football formations.
There is broad acceptance across the Humanities and Social Sciences that our deliberations on the social need to take place through attention to practice, to object-mediated relations, to non-human agency and to the affective dimensions of human sociality. This Companion focuses on the objects and materials found at centre stage, and asks: what matters about objects? Objects and Materials explores the field, providing succinct summary accounts of contemporary scholarship, along with a wealth of new research investigating the capacity of objects to shape, unsettle and exceed expectations. Original chapters from over forty international, interdisciplinary contributors address an array of objec...
* A unique series of photographs that go behind the scenes in London theaters, capturing world renowned actors before they go on stage* Includes a foreword by Cate Blanchett* "Simon Annand is one of the most amazing photographers I have had the pleasure of working with. He is an individualist with an eye for the unusual." - Dame Judi Dench, actorBritish photographer Simon Annand has been shooting candid photographs backstage at West End theaters in London for 35 years. In these meditative portraits, often shot in the intimate space of the dressing room, he captures the focus and tension of world-class actors right before they go on the stage. Actors such as Cate Blanchett, Orlando Bloom, Anthony Hopkins, Jake Gyllenhaal and Judi Dench are seen in these moments of vulnerability, which every actor experiences no matter how long they have been working. Time to Act, with an introduction by Cate Blanchett, contains a hand-picked selection of Simon Annand's remarkable and unique portraits.
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