Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

The Golden Age of Vienna
  • Language: en
  • Pages: 71

The Golden Age of Vienna

  • Type: Book
  • -
  • Published: 1948
  • -
  • Publisher: Unknown

None

The Recorder
  • Language: en
  • Pages: 658

The Recorder

  • Type: Book
  • -
  • Published: 2003-12-16
  • -
  • Publisher: Routledge

A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.

Pandemonium
  • Language: en

Pandemonium

  • Type: Book
  • -
  • Published: 2005
  • -
  • Publisher: Unknown

None

Austrian Information
  • Language: en
  • Pages: 566

Austrian Information

  • Type: Book
  • -
  • Published: 1957
  • -
  • Publisher: Unknown

None

German-Speaking Exiles in Great Britain
  • Language: en
  • Pages: 287

German-Speaking Exiles in Great Britain

  • Type: Book
  • -
  • Published: 2023-12-14
  • -
  • Publisher: BRILL

None

'Totally un-English'?
  • Language: en
  • Pages: 216

'Totally un-English'?

  • Type: Book
  • -
  • Published: 2005-01-01
  • -
  • Publisher: BRILL

The internment of ‘enemy aliens’ by the British government in two world wars remains largely hidden from history. British historians have treated the subject – if at all – as a mere footnote to the main narrative of Britain at war. In the ‘Great War’, Britain interned some 30,000 German nationals, most of whom had been long-term residents. In fact, internment brought little discernible benefit, but cruelly damaged lives and livelihoods, breaking up families and disrupting social networks. In May 1940, under the threat of imminent invasion, the British government interned some 28,000 Germans and Austrians, mainly Jewish refugees from the Third Reich. It was a measure which provoked lively criticism, not least in Parliament, where one MP called the internment of refugees ‘totally un-English’. The present volume seeks to shed more light on this still submerged historical episode, adopting an inter-disciplinary approach to explore hitherto under-researched aspects, including the historiography of internment, the internment of women, deportation to Canada, and culture in internment camps, including such notable events as the internment revue What is Life!

Catalog of Copyright Entries
  • Language: en
  • Pages: 1004

Catalog of Copyright Entries

  • Type: Book
  • -
  • Published: 1961
  • -
  • Publisher: Unknown

None

The German Emigrant; Or, Love and Sourkrout
  • Language: en
  • Pages: 18

The German Emigrant; Or, Love and Sourkrout

  • Type: Book
  • -
  • Published: 1876
  • -
  • Publisher: Unknown

None

Writing on the Edge
  • Language: en
  • Pages: 293

Writing on the Edge

In Paul’s angry letter, everything is magnified. His obstructers have insidious motives, their Galatian victims are dense and on the brink of spiritual peril, and the law itself is outmoded and a malevolent taskmaster. How do we read beneath the rhetoric? Writing on the Edge surveys ancient Greco-Roman and modern linguistic sources on hyperbole and demonstrates that it is possible to separate out the effect of Paul’s edgy rhetoric on his ideas. Eleven criteria are applied to identify Paul’s most hyperbolic passages in Galatians, followed by a reinterpretation of those passages and the entire thrust of the letter. Paul’s true attitudes emerge, and a more consistent picture of the apostle materializes, one in line with his Torah-observant behavior in Acts.

Forbidden Music
  • Language: en
  • Pages: 505

Forbidden Music

DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div