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The first full-length study of the literary criticism on the works of the controversial twentieth-century German writer Hans Henny Jahnn.
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Jahnn selected the stories, originally appearing as exempla in his novels, for separate publication (13 nicht geheure Ge- schichten. Suhrkamp, 1967). They reflect his Weltanschauung of the harmonious universe in which man is part of an endless chain, connected on the one hand to his ancestors who pass their deeds on through their works, and on the other to the future by means of the everlasting repetition of the process of nature. To Jahnn the meaning of life was that there are no answers and that man is an unknown quantity. The tragic seriousness of life is not without hope, however, for man is a responsible being, and in this world in need of love and mercy he is the only one to provide uncondi- tional love. Jahnn's work has been considered to be a repetition, in modern dress, of certain aspects of the Gilgamesh epic; his motifs are drawn from it, his characters are archetypes. For the first time in English. With an introduction.
The inter-war literary scene in Europe was ripe with Gothic Romanticism and modernist literary Expressionism a la Doblin and Joyce. Hans Henny Jahnn created a 'crazed marriage' between these two in his personal cries of existential horror and guilt. Jahnn had both a repulsion and a fascination for mortality, which was reinforced by his unconventional sexuality and by his philosophy that celebrated all aspects of life and death. The Living are Few, the Dead Many features a selection of Jahnn's works, including The Night of Lead, which is his most renowned work in Germany.
Clelia, a successful couturier, arrives in Turin after the end of the Second World War to supervise the opening of a salon in the city where she spent her youth in poverty. Drawn into a circle of young people who try to escape the futility and boredom of their lives in a mindless search for pleasure, she encounters Rosetta, whose suicide tragically foreshadows that of the author just a few months after completing this highly acclaimed contemporary classic.
This volume explores the potential of the concept of the creaturely for thinking and writing beyond the idea of a clear-cut human-animal divide, presenting innovative perspectives and narratives for an age which increasingly confronts us with the profound ecological, ethical and political challenges of a multispecies world. The text explores written work such as Samuel Beckett’s Worstward Ho and Michel Foucault's The Order of Things, video media such as the film "Creature Comforts" and the video game Into the Dead, and photography. With chapters written by an international group of philosophers, literary and cultural studies scholars, historians and others, the volume brings together established experts and forward-thinking early career scholars to provide an interdisciplinary engagement with ways of thinking and writing the creaturely to establish a postanthropocentric sense of human-animal relationality.
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Published just months before the author's suicide in 1950, this novel has since become one of Pavese's most sought-after books. In this classic, a successful couturier returns to Turin, the city in which she grew up, at the end of World War II. Opening a salon of her own leads her into a nihilistic circle of young hedonists, including the charismatic Rosetta, whose tragic death forms the novel's climax. But Turin itself is at the heart of the story, its pervading melancholy deftly rendered by a master craftsman.
Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless, Shakespeare's plays continue to be revised. In order to find out how and why he has been rewritten, Ruby Cohn examines modern dramatic offshoots in English, French, and German. Surveying drama intended for the serious theater, the author discusses modern versions of Shakespeare's plays, especially Macbeth, Hamlet, King Lear, and The Tempest. Although the focus is always on drama, contrast is supplied by fiction stemming from Hamlet and essays inspired by King Lear. The book concludes with an a...
Today's programmers don't develop software systems from scratch. instead, they spend their time fixing, extending, modifying, and enhancing existing software. Legacy systems often turn into an unwieldy mess that becomes increasingly difficult to modify, and with architecture that continually accumulates technical debt. Carola Lilienthal has analyzed more than 300 software systems written in Java, C#, C++, PHP, ABAP, and TypeScript and, together with her teams, has successfully refactored them. This book condenses her experience with monolithic systems, architectural and design patterns, layered architectures, domain-driven design, and microservices. With more than 200 color images from real-...