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Hans Scherfig
  • Language: da
  • Pages: 138

Hans Scherfig

  • Type: Book
  • -
  • Published: 1977
  • -
  • Publisher: Unknown

None

The Missing Bureaucrat
  • Language: en
  • Pages: 220

The Missing Bureaucrat

  • Type: Book
  • -
  • Published: 1988
  • -
  • Publisher: Unknown

None

Idealists
  • Language: en
  • Pages: 280

Idealists

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

Stolen Spring
  • Language: en
  • Pages: 208

Stolen Spring

  • Type: Book
  • -
  • Published: 1986
  • -
  • Publisher: Unknown

None

Lone Scherfig's Italian for Beginners
  • Language: en
  • Pages: 297

Lone Scherfig's Italian for Beginners

Lone Scherfig was the first of a number of women directors to take up the challenge of Dogme, the back-to-basics, manifesto-based, rule-governed, and now globalized film initiative introduced by Danish filmmakers Lars von Trier and Thomas Vinterberg in 1995. Entitled Italiensk for begyndere (Italian for Beginners), Scherfig's Dogme film transformed this already accomplished filmmaker into one of Europe's most noteworthy women directors. Danish and international critics lavished praise on Scherfig and her film, and their reactions harmonized with those of festival juries. Battered by life, but by no means defeated or destroyed, the characters in Italian for Beginners are all in touch at some ...

Hans Scherfig, forfatteren, maleren og kommunisten
  • Language: da
  • Pages: 188

Hans Scherfig, forfatteren, maleren og kommunisten

  • Type: Book
  • -
  • Published: 1985
  • -
  • Publisher: Unknown

None

A History of Danish Literature
  • Language: en
  • Pages: 732

A History of Danish Literature

Volume 1.

Scherfig
  • Language: en

Scherfig

  • Type: Book
  • -
  • Published: 1970
  • -
  • Publisher: Unknown

None

Scandinavica
  • Language: en
  • Pages: 288

Scandinavica

  • Type: Book
  • -
  • Published: 1994
  • -
  • Publisher: Unknown

None

The Memory Factory
  • Language: en
  • Pages: 763

The Memory Factory

The Memory Factory introduces an English-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. Ho...