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Critics since the eighteenth century have puzzled over the form of James Thomson’s composite long poem, The Seasons (1730, 1744, 1746), its generically hybrid make-up, and its relationship to established genres both Classical and modern. The textual condition of the work is complicated by the fact that it started as a stand-alone poem, Winter (1726), but was subsequently expanded—as part of a revision process that lasted almost two decades—through the addition of three further seasons poems. Transforming from primarily devotional poem to georgic account of the role of man’s laboring role in the creation, the meaning of The Seasons shifted with each addition of new material. Each revi...
"Two historical tracts analyzed, Remarks on the history of England, Letters on the study and use of history, Study of historico-political keywords in Bolingbroke's tracts, Comparative materials to the historico-political tracts and their keywords, A selection of texts for a comparative study of themes, A selection of texts for a linguistic study, the Craftsman and history."
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Includes entries for maps and atlases.
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