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The operatic bass vocalist describes his life in Communist China during the Cultural Revolution and how he found success as the first renowned native Chinese opera singer outside his country.
Since his 1991 debut at New York’s Metropolitan Opera, Hao Jiang Tian has appeared on the world’s greatest stages, more than 300 times at the Met alone. How he got there is a drama of bittersweet humor, mortal danger, heartbreaking tragedy, and inspiring triumph—more passionate and turbulent than even the grandest opera. In Along the Roaring River, Tian relives his coming of age in China during the chaotic Cultural Revolution of the 1960s and 1970s and his dramatic journey from hard labor in a Beijing factory to international opera stardom.
The Singer’s Audition & Career Handbook is a comprehensive guide to the training, audition technique, and professional development essential for launching and sustaining a rewarding career in classical singing. Expanding on author Claudia Friedlander’s online collaboration with mezzo-soprano Joyce DiDonato and the Weill Music Institute at Carnegie Hall, the book brings together insights from nearly seventy prominent performers, educators, and opera industry professionals. Whether you are a young singer preparing for conservatory auditions, a professional opera singer, or an avocational singer seeking to improve your technique and pursue local performance opportunities, this book will help you take inventory of your skills and achieve the next stages of your musical journey.
This volume assembles Pulitzer Prize-decorated critical reviews from 22 journalists in various fields of the performing arts, containing, among others, the names of these artists: Opera Singers Luciano Pavarotti, Grace Bumbry, Leontyne Price and Placido Domingo; Film Actors Barbara Stanwyck, Jessica Lange, Katharina Hepburn and Tom Cruise; TV Hosts Dean Martin, Matt Lauer, Howard Cosell and David Letterman; Orchestra Conductors George Szell, John Barbirolli, Leonard Slatkin and Seiji Ozawa; Movie Directors Roman Polanski, Federico Fellini, Billy Wilder and Steven Spielberg.
Access audio files at:https://soundcloud.com/k-chu-j-petrus/sets/singing-in-mandarin-recorded The success of Chinese artists internationally across many art forms has focused the world's attention on the developing cultural phenomenon in China, an emerging stage for the vocal arts. As one of the most widely spoken languages in the world, Mandarin is poised to become the next addition to lyric languages. Singing in Mandarin: A Guide to Chinese Lyric Diction and Vocal Repertoire is a comprehensive guide to unlocking the mysteries of Chinese contemporary vocal literature. In part one, Chu and Petrus focus on diction and language, providing detailed descriptions and exercises for creating the so...
Dreams of Love pursues a wide-ranging interdisciplinary approach to understanding the concert pianist as a "Romantic" and seductive-even erotic-figure in the popular imagination, focusing on the role of technology in perpetuating this mythology over the past two centuries through the touch, sights, and sounds of the pianist's playing.
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Set in the American West during the California Gold Rush, La fanciulla del West marked a significant departure from Giacomo Puccini's previous and best- known works. Puccini and the Girl is the first book to explore this important but often misunderstood opera that became the earliest work by a major European composer to receive an American premiere when it opened at New York's Metropolitan Opera House in 1910. Adapted from American playwright David Belasco's Broadway production, The Girl of the Golden West, Fanciulla was Puccini's most consciously modern work, and its Met debut received mixed reviews. Annie J. Randall and Rosalind Gray Davis base their account of its creation on previously ...