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The Book of Revelation
John's Book of Revelation - the Apocalypse - has been subjected to countless interpretations by theologians over the years, mostly based on theory and speculation. In contrast, Rudolf Steiner spoke from his own direct experience and knowledge of the spiritual truths contained in St John's mysterious pictures.Although he had previously presented his insights into the Book of Revelation a number of times, in 1924 Steiner ventured to give a completely new perspective - in response to a request by priests of The Christian Community - by relating the subject closely to the work of the modern priest. 'These priests felt the need to achieve a closer relationship with the Book of Revelation', he wrote later. 'I believed I would be able to contribute to such a closer relationship. The spiritual paths I follow had enabled me to trace the apocalyptist's footsteps. So I felt that with this course of lectures I would be able to achieve a depiction that would convey this priestly book in its true sense as a spiritual guide for the priest.'
Imperial Ghosts
Humanity's first empire collapsed centuries ago, but two tiny shards kept the ability to travel across the stars at faster than light speeds: the Wyvern Hegemony and the Republic of Lyonesse. Each considers itself the heir of the old empire and swore an oath of reunification. Yet only one can rule over humanity reunited. As they race to absorb ruined human worlds and rebuild them in their respective image, it is only a matter of time before they encounter the ghosts of what once was. And those ghosts will demand their due.
Art as Demonstration
How artists wield demonstration to question the status quo both aesthetically and politically, marshaling art and education as powerful agents of change. Demonstration, in short, says: See here. It is the practice of pointing to something in order to explain or contest it. As such, Sven Spieker argues that demonstration has helped reshape art from the height of the Cold War to the late twentieth century, reformatting our understanding of how art and political engagement relate to each other. Focusing on Western Europe (especially Germany), Eastern Europe, and the United States, Art as Demonstration expands on contemporary discussions of art-as-protest, activism, and resistance. Spieker shows...
Annual Report
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Jane's World Railways 2009-2010
The authority on rail systems around the globe. Track the latest developments in railway systems and equipment manufacturers across the globe with this authoritative industry survey.
