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The Practice of Practising is primarily concerned with considering practicing as a practice in itself: a collection of processes that determines musical creativity and significance.
Offers performers, teachers, and researchers, new perspectives and practical guidance for enhancing performance and managing the stress that typically accompanies performance situations. It draws together the findings of pioneering initiatives from across the arts and sciences.
First multi-year cumulation covers six years: 1965-70.
This is a stunning book about Scandinavianism, based on huge archival work, demonstrating that a unification nationalism was close to the success enjoyed by Italy and Germany. Another consideration deserves stark highlighting: this is the most exciting book in nationalism studies to have appeared for many years, offering a novel realist theory of nationalism that destroys many taken for granted assumptions, about the nineteenth century for surebut with implications quite as much for present circumstances as well. -John A. Hall, Professor emeritus, McGill This book explores the intellectual grounds of Scandinavianist ideology and its political development into a national unification movement....
In Jews and Christians in Denmark: From the Middle Ages to Recent Times, ca. 1100–1948, Martin Schwarz Lausten investigates how the Church and society followed the European antijudaistic tradition using insults, adversities and attempted conversions during Catholic times from around 1100 and Protestant times starting around 1536. In spite of the tolerant policies of integration initiated by the government beginning in the 1800’s, anti-Semitic movements arose among priests, professors and local authorities. However, during the German occupation (1940–1945) priests and many others assisted the 7,000 Danish Jews in their escape to Sweden. Based on Jewish and Christian sources, Jewish reactions to life in Denmark are also examined.
The author discusses how religious groups, especially Jews, Mormons and Jesuits, were labeled as foreign and constructed as political, moral and national threats in Scandinavia in different periods between c. 1790 and 1960. Key questions are who articulated such opinions, how was the threat depicted, and to what extent did it influence state policies towards these groups. A special focus is given to Norway, because the Constitution of 1814 included a ban against Jews (repelled in 1851) and Jesuits (repelled in 1956), and because Mormons were denied the status of a legal religion until freedom of religion was codified in the Constitution in 1964. The author emphasizes how the construction of ...
This book offers a comprehensive examination of how the Fourth Lateran Council’s prohibition against trial by ordeal was implemented in Danish secular law and how it required both a fundamental restructuring of legal procedure and an entirely different approach to jurisprudence in practice.
The study of musical composition has been marked by a didactic, technique-based approach, focusing on the understanding of musical language and grammar -harmony, counterpoint, orchestration and arrangement - or on generic and stylistic categories. In the field of the psychology of music, the study of musical composition, even in the twenty-first century, remains a poor cousin to the literature which relates to musical perception, music performance, musical preferences, musical memory and so on. Our understanding of the compositional process has, in the main, been informed by anecdotal after-the-event accounts or post hoc analyses of composition. The Act of Musical Composition: Studies in the Creative Process presents the first coherent exploration around this unique aspect of human creative activity. The central threads, or key themes - compositional process, creative thinking and problem-solving - are integrated by the combination of theoretical understandings of creativity with innovative empirical work.
Ornette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse. In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening – an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Coleman’s music as movement and space – as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Coleman’s discourse, dealing with a piece, or collection of pieces, from Coleman’s work, with pa...