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Scottish Art, 1460-2000
This magnificent volume offers a richly illustrated survey of art in Scotland, from 1460 to the current day. Its main emphasis is on painting and the graphic arts, and its scope clearly establishes the place of visual art in Scottish culture. Placing in perspective the impact of the Reformation and the richness of late medieval art, the book then follows the growth of art in the new Protestant culture through the 17th century. It culminates with the glorious achievements of the 18th, 19th, and 20th centuries, of painters such as Ramsay, Raeburn, Mackintosh, and Wilkie. A splendid volume that establishes the claim of Scottish art to a distinct identity and that changes our understanding of the wider history of European art.
Oxford Reader's Companion to Hardy
The first attempt to produce a Thomas Hardy Dictionary was made in 1911, before many of his finest poems had even been written, and since then there have been many attempts to produce reference works on his works and his life. None, however, can claim the authority and comprehensiveness ofthis Oxford Reader's Companion to Hardy. Under the editorial direction of Professor Norman Page, more than 40 of the world's most prominent experts on Hardy have been brought together to combine their insights and understandings of all aspects of Hardy studies. The result is a unique synthesis of knowledge, incorporating different nationalinterests and traditions of scholarship, investigating Hardy's life, work, and influences, and the historical context in which he wrote. As well as the assurance of sound scholarship and the convenience of the companion format, there are unexpected delights for the browser, such as entries on alcohol, humour, and pets. The Oxford Reader's Companion to Hardy is an indispensable bible for the Hardy scholar and the Hardy readeralike.
The North Ship
The North Ship, Philip Larkin's earliest volume of verse, was first published in August 1945. The introduction, by Larkin himself, explains the circumstances of its publication and the influences which shaped its contents.
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