Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Silence That Speaks
This ground-breaking anthology brings together 38 short stories culled fromover a century of writing by Muslim women from colonial and postcolonialIndia. Selected from different Indian languages, it includes fascinating storiesby celebrated and emerging authors. It also excavates stories from early women'sjournals such as Tehzeeb-e-Niswan, Saogat, and Indian Ladies' Magazine.Written in different styles, modes, and forms, the stories deconstruct culturalessentialism often involved in imagining Muslim womanhood and reflect uponthe diversity of imagined and lived experiences. They challenge sundry labels,explore intersections of identities, debunk several myths, and demonstrate howthe authors navigate the world of voices and silences. Ranging from imaginarygeographies to topographies of Muslim ghettos, most of these powerful storiesnarrate the spaces that Muslim women inhabit, and delineatetheir courage,desires, freedom, struggle, and myriad subjectivities.
Postliberalization Indian Novels in English
“Postliberalization Indian Novels in English: Politics of Global Reception and Awards” is a critical handbook that focuses on trends in contemporary Indian novels and discusses the global reception of these works. The volume provides a systematic approach to the study of Indian novelists that have not been (with certain exceptions) extensively examined.
The World in Words
A literary and historical analysis of Urdu travel writing during the nineteenth century.
Voices in Verses
Based on the women's biographical compendia, this is a study of the memory of women in the literary culture in early modern India.
Memories of the Classical Underworld in Irish and Caribbean Literature
Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canoni...
Gandhi in India’s Literary and Cultural Imagination
This book engages with the socio-cultural imaginings of Gandhi in literature, history, visual and popular culture. It explores multiple iterations of his ideas, myths and philosophies, which have inspired the work of filmmakers, playwrights, cartoonists and artists for generations. Gandhi’s politics of non-violent resistance and satyagraha inspired various political leaders, activists and movements and has been a subject of rigorous scholarly enquiry and theoretical debates across the globe. Using diverse resources like novels, autobiographies, non-fictional writings, comic books, memes, cartoons and cinema, this book traces the pervasiveness of the idea of Gandhi which has been both idoli...
Literatures from Northeast India
This book showcases the diverse literary traditions from India’s Northeast and their shared connections and lineages. It critically analyses a selection of literary works from authors and poets from this region and the hegemonies of language, ethnicity and politics that have framed these voices. As a region with rich cultural and ethnolinguistic diversity, Northeast India’s literature is representative of varied histories, languages, socio-cultural and religious practices. The book highlights the distinct use of language, forms, cultural symbols and metaphors which articulates the unique experiences of conflict, beauty and culture in this area. Focussing on the translingual and transcult...
Sultana’s Sisters
This book traces the genealogy of ‘women’s fiction’ in South Asia and looks at the interesting and fascinating world of fiction by Muslim women. It explores how Muslim women have contributed to the growth and development of genre fiction in South Asia and brings into focus diverse genres, including speculative, horror, campus fiction, romance, graphic, dystopian amongst others, from the early 20th century to the present. The book debunks myths about stereotypical representations of South Asian Muslim women and critically explores how they have located their sensibilities, body, religious/secular identities, emotions, and history, and have created a space of their own. It discusses work...
Religion in South Asian Anglophone Literature
This volume studies the representation of religion in South Asian Anglophone literature of the twentieth and twenty-first century. It traces the contours of South Asian writing through the consequences of the complex contesting forces of blasphemy and secularization. Employing a cross-disciplinary approach, it discusses various key issues such as religious fundamentalism, Islamophobia, religious majoritarianism, nationalism, and secularism. It also provides an account of the reception of this writing within the changing conceptions of racial "Others" and cultural difference, particularly with respect to minority writers, in terms of ethnic background and lack of access to social mobility. The volume features chapters on key texts, including The Hungry Tide, The Enchantress of Florence, In Times of Seige, One Part Woman, Anil’s Ghost, The Book of Gold Leaves, Red Earth and Pouring Rain, The Black Coat and Swarnalata, among others. An important contribution to the study of South Asian literature, the book will be indispensable for students and researchers of literary studies, religious studies, cultural studies, literary criticism, and South Asian studies.
Modernist Transitions
This volume is a critical reader, focusing on the continuities and discontinuities, confirmations and confrontations, crossovers and collisions, appropriations, adaptations and assimilations in the cultural transitions between British and Bangla vernacular modernist fiction within the context of the imperial modernity of the first half of the 20th century. The volume, consisting of critical essays aspires to illuminate, from multiple but intersecting perspectives, those thematic and structural areas where these two kinds of literary modernism, each aesthetically diverse, historically segmented by onslaughts of wars and other outbreaks of suffering and violence, and ideologically convoluted, ...
