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Published to accompany an exhibition at the Metropolitan Museum's Costume Institute, December 1995-March 1996. A lovely presentation of designs that exemplify the rise of haute couture--that is, fashion driven by the artistic expression of the designer rather than by the dictates of clients. The thoroughly captioned selections represent the history of haute couture from its beginings in mid-19th century Paris to the present-day creations of major designers. Tailoring and dressmaking techniques as well as the decoration produced by embroiderers, beaders, lace makers, feather workers, and other craftspeople are discussed in the explanatory text. No bibliography. Distributed by Abrams. Annotation copyright by Book News, Inc., Portland, OR
A study of Christian Dior as an artist, focusing on his achievements through his works rather than through biography.
This volume explores Poiret's radical modernity. Essays by renowned scholars describe the historical context of his work; its relation to the dominant artistic discourses of the early 20th century; his muse, Denise Poiret, and her influence on his work; and his role in the paradigmatic shift to a new ideal of feminine beauty.
Published to accompany the exhibition held at the Metropolitan Museum of Art, New York, 6 December 2001 - 3 March 2002.
Published to accompany the exhibition held at the Metropolitan Museum of Art, New York, 1 May - 3 August 2003, this book explores the influence of ancient Graeco-Roman dress through the ages.
A study of Christian Dior as an artist, focusing on his achievements through his works rather than through biography.
This catalogue offers the first comprehensive study of James’s life and work, highlighting his virtuosity and inventiveness as well as the colorful cast of benefactors and clients who supported him.
An alluring look at the relationship of clothing and interior design in 18th-century France
"The Met's Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubias's "Impossible Interviews" for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work. Iconic ensembles will be presented with videos of simulated conversations between Schiaparelli and Prada directed by Baz Luhrmann, focusing on how both women explore similar themes in their work through very different approaches."--MMA website.