You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Oxford Movement began in the Church of England in 1833 and extended to the rest of the Anglican Communion, influencing other denominations as well. It was an attempt to remind the church of its divine authority, independent of the state, and to recall it to its Catholic heritage deriving from the ancient and medieval periods, as well as the Caroline Divines of 17th-century England. The Oxford Movement and Its Leaders is a comprehensive bibliography of books, pamphlets, chapters in books, periodical articles, manuscripts, microforms, and tape recordings dealing with the Movement and its influence on art, literature, and music, as well as theology; authors include scholars in these fields, as well as the fields of history, political science, and the natural sciences. The first edition of The Oxford Movement and Its Leaders and its supplement contained comprehensive coverage through 1983 and 1990, respectively. The Second Edition, with over 8,000 citations covering many languages, extends coverage through 2001; it also includes many earlier items not previously listed, corrections and additions to earlier items, and a listing of electronic sources.
Bruce Boehrer's book is the first general history of the Shakespearean stage to focus primarily on ecological issues.
None
Woodbridge shows that the prevailing image of the vagrant poor in Renaissance England--sturdy, comical, resourceful rogues who were adept at living on the fringes of society--was essentially a literary fabrication pressed into the service of specific social and political agendas.
Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage presents a fresh analysis of the complete theater evening that was available to playhouse audiences from the Restoration to the early nineteenth century. The contributing scholars focus not on the mainpiece, the advertised play itself, but on what surrounded the mainpiece for the total theater experience of the day. Various critical essays address artistic disciplines such as dance and theatrical portraits, while others concentrate on peripheral performance texts, including prologues, epilogues, pantomimes, and afterpieces, that merged to define the overall theatrical event.
Long-awaited and comprehensive biography of the great Irish author James Joyce James Joyce was one of the greatest writers of the twentieth century, but he was not immediately recognised as such; rather he lived in exile in the cosmopolitan Europe of the 1920s in a bid to escape the suffocating atmosphere and parochial prejudices of his native Dublin. His unstinting dedication to authorship picks him out as a writer in the romantic tradition. He battled poverty and financial dependency for much of his adult life, as well as near-blindness from 1917 and the grief of his daughter Lucia's mental illness. He suffered too the slings and arrows of uncomprehending critics especially for his influential Ulysses, which was banned in both Britain and America. Drawing on considerable new material that has only recently become available, Gordon Bowker's biography attempts to get beyond the exterior life to explore the inner landscape of an extraordinary writer who continues to influence and fascinate, well over a century after his birth.