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Cheerful Giver
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Russia's Greatest Enemy?
A remarkably talented linguist, foreign correspondant in Russia from 1904-1921 and Foreign Editor for 'The Times', 'Russia's Greatest Enemy?' traces the fascinating life and career of Harold Williams. This quiet and modest New Zealander played a central role in informing and influencing British opinion on Russia from the twilight of the Tsars, through War and Revolution, to the rise of the Soviet Union. The career of this keen Russophile and fierce opponent of Bolshevism illuminates the pre-World War One movement towards rapprochement with the Tsar, as well as the drive for intervention and isolation in the Soviet period. In this fascinating study Charlotte Alston explores the role of Williams as the interpreter of Russia to the British and the British to Russia in this turbulent period in the history of both countries Introduction 1. New Zealand, 1876-1900 2. Journalism, 1900-1914 3. Britain, Russia, War and Revolution, 1907-1917 4. From Revolution to Intervention, 1917-1921 5. The Times, 1921-1928 Conclusion Bibliography
SHADOW OF DEMOCRACY. Dispatches from Russia:1905 Revolution, by Harold Williams.
These are selected dispatches by the journalist Harold Williams published in the Manchester Guardian from late 1904 to the convening of the first Duma in April 1906. Williams provides a lengthy and vivid description of the events of this revolution. His analysis in many ways anticipates the interpretation of recent historians of this event.
The Hair of Harold Roux
In 1975 the National Book Award Fiction Prize was awarded to two writers: Robert Stone and Thomas Williams. Yet only Stone's Dog Soldiers is still remembered today. That oversight is startling when considering the literary impact of The Hair of Harold Roux. A dazzlingly crafted novel-within-a-novel hailed as a masterpiece, it deserves a new generation of readers. In The Hair of Harold Roux, we are introduced to Aaron Benham: college professor, writer, husband, and father. Aaron-when he can focus-is at work on a novel, The Hair of Harold Roux, a thinly disguised autobiographical account of his college days. In Aaron's novel, his alter ego, Allard Benson, courts a young woman, despite the effo...
The Expatriates
The connection between a colony and its founder, centre and margin, is always paradoxical. Where once Britain sent colonists out into the world, now the descendents of those colonists return to interrogate the centre. This is a book about four of these returners: Harold Williams, journalist, linguist, Foreign Editor of The Times; Ronald Syme, spy, libertarian, historian of ancient Rome; John Platts-Mills, radical lawyer and political activist; and Joseph Burney Trapp, librarian, scholar and protector of culture. These were men, born in remote New Zealand, who achieved fame in Europe—even as they were lost sight of at home. Men who became, from the point of view of their country of origin, expatriates. A writer of penetrating insight, Martin Edmond explores the intersections of past and present in the lives of these four extraordinary individuals. Their stories combine, in the hands of this award-winning writer, to a moving reflection upon New Zealand’s place in the world, then and now.
One Whaling Family
Adventures of the Williams family are told first hand from manuscripts. A stirring adventure - the account of a great whaling captain who took his family to sea.
Correspondence
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Making Architecture
This volume completes the documentation of the planning, design, and construction of the Getty Center begun in The Getty Center (1991). Designed by Richard Meier and Partners, the Getty Center sits atop a stunning 110-acre hilltop in west Los Angeles and is the new home for the Museum, the five Institutes, and the Grant Program that make up the J. Paul Getty Trust. The book includes a series of essays that underscore the challenges faced by architect, contractor, and owner working collaboratively. A chronology identifies the key dates and events in the design and construction process. Extensively illustrated with photographs by several accomplished photographers, site drawings from Richard Meier and Partners, and Robert Irwin's drawings of the Central Gardens, the book presents readers with an insider's view of the making of the Getty Center.
