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Bauhaus Diaspora and Beyond
Bauhaus Diaspora and Beyond: Transforming Education through Art, Design and Architecture presents an extraordinary new Australasian cultural history. It is a migrant and refugee story: from 1930, the arrival of so many emigre, internee and refugee educators helped to transform art, architecture and design in Australia and New Zealand. Fifteen thematic essays and twenty individual case studies bring to light a tremendous amount of new archival material in order to show how these innovative educators, exiled from Nazism, introduced Bauhaus ideas and models to a new world. As their Bauhaus model spanned art, architecture and design, the book provides a unique cross-disciplinary, emigre history of art education in Australia and New Zealand. It offers a remarkable and little-known chapter in the wider Bauhaus venture, which has multiple legacies and continues to inform our conceptions of progressive education, creativity and the role of art and design in the wider community. A co-production by MUP with Power Publications http: //www.powerpublications.com.au/
Pioneers of Modernism
Remedying a neglected part of architectural history, this volume presents the work of four of Australia's most innovative arts and crafts architects—Walter Butler, Harold Desbrowe-Annear, Walter Liberty Vernon, and Robin Dods. The influence of the arts-and-crafts movement in Australia has long been lost between the far better known Gothic and classical revivals and the modernist movement, and obscured by the chronological construction of "federation" architecture, but this study, along with the accompanying photographs and plans, brings to life the simple lines of their design and illustrates why it is so deserving of further recognition.
Michael O'Connell
Born in Cumbria in 1898 Michael O?Connell saw action on the Western Front in WWI before moving to Australia in 1920. Over the following 17 years he became a critical member of the burgeoning Modernist movement in Melbourne primarily through his innovative and dynamic textiles. First exhibited in 1930 his hand blockprinted fabrics revolutionised Australian textile design, which at the time was an entirely amateur affair, and laid the foundations of its future development. On his return to the UK in 1937, O?Connell became a key figure in contemporary textile design, producing fabrics for EdinburghWeavers in 1938 and then for Heals during the 1940s and 1950s. He was involved in a number of prog...
Understanding Different Geographies
This book collects revised versions of papers first delivered at the “Understanding Different Geographies Symposium” held in Puchberg am Schneeberg, Austria in 2011. The Symposium focussed on “Communicating Meaning with [Geo]Graphic Artefacts”. The general topics of the chapters cover: - Exploring geographic knowledge - Maps in exhibition spaces - Information and exhibition design with (geo)graphic artefacts - Extracting meaning from visualisations of different geographies - Deconstructing maps of information - and other spaces
The Design Collective
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse around human capital, flat structures and collectives as a means for ‘making’ the things of everyday life. As the essays presented in this collection illustrate, there is an emerging field of discourse about the potential of the collective as an organising and generative community structure that links creativity, social change and politics. Furthermore it is clear that in this developing context there are a number of issues central to d...
Architecture and Spectacle: A Critique
Focusing on six leading contemporary architects: Peter Eisenman, Frank Gehry, Bernard Tschumi, Zaha Hadid, Rem Koolhaas and Steven Holl, this book puts forward a unique and insightful analysis of "neo-avant-garde" architecture. It discusses the spectacle and excess which permeates contemporary architecture in reference to the present aesthetic tendency for image making, but does so by applying the tectonic of theatricality discussed by the 19th-century German architect Gottfried Semper. In doing so, it breaks new ground by opening up a dialogue between the study of the past and the design of the present. The work of each discussed architect is seen as addressing a historiographical problem. ...
The Lost Mother
My mother had just turned ten in mid-1933 when a young woman approached her as they were both leaving Mass at St Joan of Arc's in Brighton...The woman was an artist and she would like to paint her portrait... After her mother's death in 2005, Anne Summers inherits a portrait of her mother as a child. Mesmerised by this image, she finds herself drawn into the story of how the portrait was painted and eventually found its way into her family. She soon learns the artist painted another portrait of her mother; this time as the Madonna. In a gripping narrative that is part art history, part detective story and part meditation on the relations between mothers and daughters, Anne's search for the Madonna painting and the mysterious Russian migr collector who bought both paintings takes her down unexpected paths. Her search soon turns into a parallel quest to rescue Constance Stokes, the artist, from obscurity, and to learn why the collector suddenly abandoned the paintings. Along the way Anne finds she must face the truth of the relationship she had with her mother. In turn hypnotic and moving, The Lost Mother is a powerful exploration of art, loss and love.
Politics of Urban Runoff
A study of urban stormwater runoff that explores the relationships among nature, technology, and society in cities. When rain falls on the city, it creates urban runoff that cause flooding, erosion, and water pollution. Municipal engineers manage a complex network of technical and natural systems to treat and remove these temporary water flows from cities as quickly as possible. Urban runoff is frequently discussed in terms of technical expertise and environmental management, but it encompasses a multitude of such nontechnical issues as land use, quality of life, governance, aesthetics, and community identity, and is central to the larger debates on creating more sustainable and livable citi...
Rosalie Gascoigne
Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.
