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This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.
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Throughout his lifetime the name Henry Fuseli (1741-1825) was constantly invoked as the epitome of untrammelled genius and originality. In our own day he is recognised not only as a seminal figure in the rise of Romanticism but as a great artist and master illustrator in his own right. He is also the only member of the Royal Academy ever to hold the positions of Professor of Painting and Keeper in that institution concurrently. This comprehensive catalogue of the prints and engraved illustrations by and after Henry Fuseli explores the nature and extent of Fuseli's role as history painter cum illustrator. It documents the intricate financial, artistic and business practices that shaped the complex working relationships between artist, engraver, printer and publisher. Such materials also help elucidate how engraved versions of Fuseli's and other artists' paintings stimulated public interest in the arts and literature, thereby becoming an important means of cultural transmission to the middle class.
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Grundlage der vorliegenden Bibliographie sind die 29 Bände der Bibliographischen Berichte, die als universaler Nachweis von Bibliographien von 1959 bis 1987 erschienen sind. Ziel der Internationalen Bibliographie der Bibliographien 1959-1988 ist es, den Gesamtdatenbestand in kumulierter Form leicht zugänglich zu machen. Die Titel sind in einer einheitlichen Systematik nach Themengebieten zusammengefasst. Insgesamt werden ca. 176.000 Titel erschlossen. Bibliothekaren, Dokumentaren und Informationsvermittlern wird mit den Bibliographien der zweiten Stufe ein wichtiges Hilfsmittel für die Selektion und Wertung von Bibliographien an die Hand gegeben.
Includes section "Book reviews," Mar. 1940-
A world list of books in the English language.