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British spy Elliot Kane is forced out of semi-retirement to investigate a colleague's suspicious death on Ascension Island, a remote and rocky outpost of the British military in the middle of the Atlantic. Despite uncovering a deep plot to incite a new world war, Elliot Kane has been on probation with the service since his misadventures in Kazakhstan. Having taken up a job teaching college literature and linguistics, he surprisingly enjoys living a conventional life and wonders if he would even go back to spycraft. Then a colleague from an ages-ago mission reaches out with a request. One of her tech specialists was on a long-term mission, in deep cover, but has suddenly killed himself. The a...
'A twisting spiral of lies and corruption' Val McDermid From the hilltop he could see London, stretched towards the hills of Kent and Surrey. The sky was beginning to pale at the edges. The city itself looked numb as a rough sleeper; Camden and then the West End, the Square Mile. His watch was missing. He searched his pockets, found a bloodstained serviette and a promotional leaflet for a spiritual retreat, but no keys, phone or police badge. Detective Nick Belsey needs help. Something happened last night - something with the boss's wife - and Belsey needs to get out of London, and away from the debt and the drink and the deceit. Collecting his belongings back at Hampstead CID on what should be the last day of his career, Belsey sees a missing person's report. But this one's different; this is on The Bishop's Avenue, one of the most expensive streets in the city. Belsey sees a chance for a new life. But someone else got there first. Praise for A Hollow Man '[Belsey has] got to be London's coolest cop... Harris has plundered London's underworld for his richly plotted and unusual detective series... It's heady stuff' Daily Mail 'Thrills, spills and fine writing' Telegraph
A modern but classically styled spy novel in the spirit of John Le Carré and Chris Pavone, A Shadow Intelligence follows a mercurial MI6 agent, Elliot Kane, as he goes off script to find his lover, who went missing while embroiled in a dangerous scheme in Kazakhstan.
'Mazy, pacy London noir' Ian Rankin Ten days after the station closed, he was informed he'd been officially suspended pending a hearing over allegations of gross misconduct. No details. A few hours after that, he got a call from a man who wouldn't give his name but told him he was under surveillance...They were bracing themselves for a shit-storm. Stay safe, the caller said, and hung up. Amber Knight is hot property - pop star, film star, front-page gossip. DC Nick Belsey is less celebrated. He can't shake his habit of getting into serious trouble and his career at Hampstead CID is coming to a dishonourable end. He is currently of no fixed address - squatting in a disused police station roun...
'Makes the capital as eerie as Le Carré's Berlin' Evening Standard Monday 10 June, end of a hot day. The city had started drinking at lunchtime and by 3 or 4pm crime seemed the only appropriate response to the beauty of the afternoon...At quarter to five he felt his contribution to law and order had been made. He parked off the high street, sunk two shots of pure grain vodka into iced Nicaraguan espresso and put his seat back. In an hour he'd be off duty, and in a couple more he'd be on a date with an art student he'd recently arrested for drugs possession. London is steaming under a summer of filthy heat and sudden storms - and Detective Nick Belsey, of Hampstead CID, is trying to stay out...
"Naked Lunch" was banned, castigated, and recognized as a work of genius on its first publication in 1959, and fifty years later it has lost nothing of its power to astonish, shock, and inspire. A lacerating satire, an exorcism of demons, a grotesque cabinet of horrors, it is the Black Book of the Beat Generation, the forerunner of the psychedelic counterculture, and a progenitor of postmodernism and the digital age. A work of excoriating laughter, linguistic derangement, and transcendent beauty, it remains both influential and inimitable.This is the first book devoted in its entirety to William Burroughs masterpiece, bringing together an international array of scholars, artists, musicians, ...
Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: On screen they were stars, off screen they were legends. This is the story of drunken binges of near biblical proportions, parties and orgies, broken marriages, riots, and wanton sexual conquests--indeed, acts so outrageous that if ordinary mortals had perpetrated them they would have ended up in jail. They got away with the kind of behavior that today's film stars could scarcely dream of, because of their mercurial acting talent and because the press and public loved them. They were truly the last of a breed. This is a celebratory catalogue of their miscreant deeds, a greatest-hits package of their most breathtakingly outrageous behavior, told with humor and affection. You can't help but enjoy it--after all, they certainly did.--From publisher description.
Archaeological Theory in the New Millennium provides an account of the changing world of archaeological theory and a challenge to more traditional narratives of archaeological thought. It charts the emergence of the new emphasis on relations as well as engaging with other current theoretical trends and the thinkers archaeologists regularly employ. Bringing together different strands of global archaeological theory and placing them in dialogue, the book explores the similarities and differences between different contemporary trends in theory while also highlighting potential strengths and weaknesses of different approaches. Written in a way to maximise its accessibility, in direct contrast to many of the sources on which it draws, Archaeological Theory in the New Millennium is an essential guide to cutting-edge theory for students and for professionals wishing to reacquaint themselves with this field.
A brilliant, blistering crime novel that grips from the first page. Praise for Oliver Harris: 'One of our finest thriller writers' Evening Standard 'Oliver Harris is always pure quality' Ian Rankin Nick Belsey's on the run. Touching down in Mexico City, he doesn't have much in the way of funds, but he has a new continent and surely that's enough to start afresh. But it's not as easy as that. An idyllic interlude in a coastal village is interrupted when men turn up who seem to know exactly who he is. And they have some very urgent questions. DI Kirsty Craik had also hoped she'd left Nick Belsey behind her, in the wilder days of her career. When a five am call instructs her to track him down or she'll be dead by Christmas, it seems he's walked back into her life with characteristic commotion. Craik is forced to break the rules once more to find out what her former lover is up to. She needs to save herself, and, just maybe, to save Belsey too.