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Analysis of British and German prose fiction written between 1916 and 1937, with different ideological points of view. Authors represented include, from Germany, Fritz von Unruh, Josef M. Wehner, Werner Beumelburg, Arnold Zweig, and from Britain, Alec J. Dawson, Alan P. Herbert, Arthur D. Gristwood, Frederic Manning and David Jones.
Following their first gathering in Munster, Westphalia, the city of Ford's ancestors, Fordians present a multi-faceted image of this Anglo-German and Francophile English Modernist. International interest in the Hueffers' German background will be triggered by two articles on Franz Hueffer and the references to Munster and Westphalia in Ford's writings. Excursions in politics and poetry and Ford in context provide a framework for "Aspects of Parade's End", the edition and simultaneous translation of which into major European languages forms the most important project for the new Millennium.
Human interaction breeds conflicts. Unresolved problems provide food for social sciences in general, and especially for political science a melting pot of different branches of social sciences, including philosophy, economics, sociology, psychology, etc. Political science tries to use all of these branches of the social sciences when examining how people, as a collective, try to resolve their conflicts. The theory of collective action a particular field of research in political science is concerned with the question of how people behave and act in groups when pursuing their common goals and how collective action for a collective good can, or cannot, take place. The author of this book tried to find a field of social life where collective action problems occur frequently and do not cease easily. Thus, the author selected Hungarian residential condominiums, where people have both their private properties and share common properties and facilities. The overall management of the cond
In the nineteenth century the great cities underwent the most conspicuous transformation. The beauties and the dark side of urban existence soon came to be one of the central issues in contemporary literature and art. In The Reality of the Unreal, the works of four great English writers of the time are analyzed, with the focus on their representation of the city. Through the concrete image of London and Paris around the turn of the century as well as through the metaphorical role of the city as a concept, this booka new volume in the Philosophiae Doctores seriesprovides differing views about the age, as seen by H. G. Wells, George Gissing, Joseph Conrad, and Henry James. The books analysis arrives at the complex image of civilization at the end of the nineteenth century.
The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johan...
The First World War saw staggering loss of life and was a catalyst for many political and social changes. It was also shaped by the media and art forms that expressed it: film, photography, poetry, memoir, posters, advertisements, and music. This volume's scope shows that today's instructors contend with many different issues in teaching the First World War in a variety of classroom settings. Among these issues are the war's relation to modernism; global reach in the Middle East and South Asia; influence on psychiatry, pacifism, and consumer culture; and effect on public health and the 1918 influenza pandemic.
The ninth volume of this annual journal continues the consideration of the relations of European with non-European literatures begun in volume 8. It brings the series of special bibliographies on the history of comparative literary studies in the UK up to 1965, and contains the annual bibliography of comparative literature, covering 1984.
The focus of this book is on Lytton Strachey's literary critical essays and his major biographies. By placing his work in the broader context of the Modernist canon, it aims to offer a complete yet far from definitive picture of the writer who wrote ' the first book of the twenties'
"The persistence of fiscal imbalances in advanced and emerging economies alike belies the expectations of early globalization theorists about a worldwide convergence of macroeconomic policies. Using a political economy perspective the book aims to identify the main factors, which are responsible for this lasting divergence. Based on qualitative and quantitative evidence from the European Union with case studies on Hungary and Sweden, it finds that the level of public trust in the political system and the capacity of the elite for consensus critically affect nationstates' prospects for fiscal sustainability."--BOOK JACKET.