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Strangest genius
Stained glass, Symbolism, Decadence, Celtic mysticism, Art Nouveau and the Ballets Russes - all these elements claim a place in the definition of Harry Clarke. Born a century ago, this Dublin artist, son of an English father and an Irish mother, worked intensely at his art, as if conscious that death would overtake him at an early age. Clarke is now recognized internationally as a bizarre genius of his age, as the Irish Beardsley. This is the story of a questing soul with a complex imagination who produced prolifically and with outstanding originality. His skill and vision has not been equaled and this book is based on a study which won the 1984 CINOA Art History Laureate and is richly illustrated, bringing the range and importance of Clarke's work to general attention.
Harry Clarke is the story of a shy midwestern man who feels more himself when adopting the persona of cocky Londoner Harry Clarke. Moving to New York and presenting himself as an Englishman, he charms his way into a wealthy family’s life, romancing two family members as the seductive and sexually precocious Harry, with more on his mind than love. With his spellbinding and emotionally nuanced storytelling, Cale has created a riveting story of a man leading an outrageous double life.
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In 1963, 17 charter members were inducted into the newly established Pro Football Hall of Fame. Joining the likes of Red Grange, Bronko Nagurski, George Halas, and Sammy Baugh was Detroit Lions quarterback Dutch Clark. A bona fide superstar for the NFL in the 1930s, Clark led the Lions to success on the gridiron and helped establish the NFL in one of America’s most passionate sports cities. Throughout his seven-year NFL career (1931–1932, 1934–1938), Clark was selected first team NFL All-Pro six times, led the league in scoring three times, was team captain of the Detroit Lions, and helped the Lions win the 1935 NFL Championship in their second season in Detroit. The triple-threat star...
Dark Beauty focuses on the minute detail in Harry Clarke’s stained-glass windows, particularly in the borders and lower panels of his work. Clarke’s brilliance as a graphic artist is clearly visible in his book illustrations, which are imbued with precise attention to intricate designs, and he applied the same lavish focus to every facet of his stained glass. The title ‘Dark Beauty’ refers to the duality of Clarke’s work that sees delicate angels juxtaposed with macabre, grotesque figures, and represents the partially hidden details that dwell in the background of his windows – motifs, accessories, flora, fauna and diminutive characters – which may be missed in light of the dominance of the central subjects. The authors spent many years photographing Clarke’s windows in Ireland, England, America and Australia, and the resulting 60,000 photos have been carefully whittled down to 500 glorious images. Dark Beauty will provide lovers of Clarke’s stained glass with the opportunity to view previously obscured or unnoticed details in all their unique beauty and inspire their own travels to view Clarke’s work.
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Lillian, a bookish middle-aged British woman, falls for Jimmy, a man half her age. Promptly divorcing her husband, she marries the young man and buys a flower shop to support his desire to be a gardener. Unbeknownst to Lillian, however, Jimmy has a terminal heart condition, and his anticipation of the end fills him with a restless energy.