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The Cambridge Companion to Shakespeare on Film
This companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. The emphasis is on feature films for cinema with strong coverage Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.
The Shapes of Revenge
This approach to Shakespeare's treatment of revenge emphasizes the psychology of revenge and, in particular, the relationship of revenge to the experience of victimization. Instead of assuming that dramatic avengers reflect mental imbalance to be condemned for moral and civil offenses, Keyishian treats revenge as a strategy by which victims strive to restore personal integrity and recover from feelings of powerlessness, violation, and injustice. Keyishian bases his discussion on Renaissance theories about the proper and beneficial role of the passions, from Aristotle and Aquinas to Francis Bacon, Niccolo Machiavelli, and others. His study ranges from authentic and redemptive avengers like Macduff to purely vindictive ones like Iago.
Priests of Our Democracy
Priests of Our Democracy tells of the teachers and professors who battled the anti-communist witch hunt of the 1950s. It traces the political fortunes of academic freedom beginning in the late 19th century, both on campus and in the courts. Combining political and legal history with wrenching personal stories, the book details how the anti-communist excesses of the 1950s inspired the Supreme Court to recognize the vital role of teachers and professors in American democracy. The crushing of dissent in the 1950s impoverished political discourse in ways that are still being felt, and First Amendment academic freedom, a product of that period, is in peril today. In compelling terms, this book shows why the issue should matter to everyone.
I Call You Friends
In North America over the last three decades, no one has thought as long and hard about the nature of the Catholic university, has been so passionate in its avowal, so visionary in its conception, and so persistent in reminding all who would listen that the university is a specifically Catholic achievement and the Catholic university an enduring legacy, as John Cavadini. As the long-time chair of the Department of Theology at the University of Notre Dame and the even longer-serving McGrath-Cavadini Director of the McGrath Institute for Church Life, John C. Cavadini has provided a vision for leadership in Catholic higher education and especially the Catholic university's call to serve the Chu...
Priests of Our Democracy
In the early 1950s, New York City’s teachers and professors became the targets of massive investigations into their political beliefs and associations. Those who refused to cooperate in the questioning were fired. Some had undoubtedly been communists, and the Communist Party-USA certainly made its share of mistakes, but there was never evidence that the accused teachers had abused their trust. Some were among the most brilliant, popular, and dedicated educators in the city. Priests of Our Democracy tells of the teachers and professors who resisted the witch hunt, those who collaborated, and those whose battles led to landmark Supreme Court decisions. It traces the political fortunes of aca...
Michael Arlen
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The Old Century and the New
Dr. Rosa, a former student of Charles Angoff, has collected herein 15 essays that are as diverse as his mentor's own career and interests. Literary compeers, personal friends and associates, and former students have contributed to this volume to pay tribute to this influential novelist, essayist, poet, and professor.
Living the Bill of Rights
One of America's most passionate writers about civil liberties enlivens issues about The Bill of Rights by giving profiles of individuals for whom the Constitution is a vital part of life.
Two Gentlemen of Verona
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
Peckinpah's Tragic Westerns
The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.
