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PoCA (Postgraduate Cypriot Archaeology) 2012
This volume brings together papers presented at the 12th edition of Postgraduate Cypriot Archaeology (PoCA), an annual conference concerning the material culture of ancient, medieval and modern Cyprus, taking into account various aspects from different research projects conducted by researchers specialized in many fields of expertise. The contributions to this book cover multiple branches of study, including prehistory, archaeology, history, art history, religious history architecture and modern textiles studies, offering an interdisciplinary approach. Within this wide-ranging academic setting, a chronological span from the Early Cypriot period, that is to say from the 3rd millennium B.C. onwards, to modern times is covered. Contributions illuminate various aspects of Cypriot culture, such as funerary areas, settlement patterns, different types of artworks, and historical issues. Despite the great variety of archaeological and historical subjects, there is a special focus on Bronze Age Cypriot culture that helps to highlight a number of significant aspects of this important and formative period on the island of Aphrodite.
Assyria to Iberia
The exhibition "Assyria to Iberia at the Dawn of the Classical Age" (The Metropolitan Museum of Art, New York, 2014) offered a comprehensive overview of art and cultural exchange in an era of vast imperial and mercantile expansion. The twenty-seven essays in this volume are based on the symposium and lectures that took place in conjunction with the exhibition. Written by an international group of scholars from a wide variety of disciplines, they include reports of new archaeological discoveries, illuminating interpretations of material culture, and innovative investigations of literary, historical, and political aspects of the interactions that shaped art and culture in the in the early first millennium B.C. Taken together, these essays explore the cultural encounters of diverse populations interacting through trade, travel, and migration, as well as war and displacement, in the ancient world. Assyria to Iberia: Art and Culture in the Iron Age contributes significantly to our understanding of the epoch-making exchanges that spanned the Near East and the Mediterranean and exerted immense influence in the centuries that followed.
Salamis of Cyprus
In May 2015 an international conference organised by the University of Cyprus and the Cypriot Department of Antiquities was held in Nicosia - a conference, which could well be called the largest ever symposium on ancient Salamis. During the three-day event some 60 scholars from many countries presented their current research on this important and spectacular archaeological site on the east coast of the island of Cyprus. Two generations of scholars met in Nicosia during the conference: an older one, whose relationship with ancient Salamis can be characterized as very direct, since many representatives of that generation had actively participated in the extremely productive excavations at that...
Cypriote Antiquities in Berlin in the Focus of New Research
This book combines the papers of the conference 'Cypriote Antiquities in Berlin in the Focus of New Research' which took place in May 2013. Organized by The Cypriot-German Cultural Association on the occasion of its 35th anniversary in collaboration with the Antikensammlung, Staatliche Museen zu Berlin, the aim of the conference was to draw attention to the objects of the outstanding 'Cyprus Collection', which has been exhibited in a special gallery since the re-opening of the Neues Museum in 2009.
The Rise of the Greek Aristocratic Banquet
Wecowski offers a comprehensive account of the origins of the symposion and its close relationship with the rise of the Greek city-state or polis. Held by Greek aristocrats from Homer to Alexander the Great, its distinctive feature was the importance of diverse cultural competitions among the guests.
The So-called Nonsense Inscriptions on Ancient Greek Vases
As the first extensive survey of the ancient Greek painters’ practice of writing nonsense on vases, The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini provides a systematic overview of the linguistic features of the phenomenon and discusses its forms and contexts of reception. While the origins of the practice lie in the impaired literacy of the painters involved in it, the extent of the phenomenon suggests that, at some point, it became a true fashion within Attic vase painting. This raises the question of the forms of interaction with this epigraphic material. An open approach is adopted: “reading” attempts, riddles and puns inspired by nonsense inscriptions could happen in a variety of circumstances, including the symposium but not limited to it.
Imports and Immigrants
A reassessment of artistic relationships between ancient Greece and other regions of the Aegean basin
