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San Francisco artists Arthur F. Mathews (1860-1945) and Lucia K. Mathews (1870-1955) produced murals, easel paintings, furniture, interior design, graphics, wooden frames, and other objects in what has come to be known as the California Decorative Style. Arthur's easel paintings and murals placed figures of myth and allegory in idyllic California settings that evoke a new Arcadia, where they danced, in fanciful Greek garb, through light-filled landscapes. Similarly prolific, Lucia painted portraits, landscapes, and botanicals in a soft color palette; her dreamy, windswept scenes of the Monterey Peninsula are accented with diffused light and a golden glow. Her expertise as a decorative artist...
Mines have always been hard and dangerous places. They have also been as dependent upon imaginative writing as upon the extraction of precious materials. This study of a broad range of responses to gold and silver mining in the late nineteenth century sets the literary writings of figures such as Mark Twain, Mary Hallock Foote, Bret Harte, and Jack London within the context of writing and representation produced by people involved in the industry: miners and journalists, as well as writers of folklore and song. Floyd begins by considering some of the grand narratives the industry has generated. She goes on to discuss particular places and the distinctive work they generated--the short fictions of the California Gold Rush, the Sagebrush journalism of Nevada's Comstock Lode, Leadville romance, and the popular culture of the Klondike. With excursions to Canada, South Africa, and Australia, Floyd looks at how the experience of a destructive and chaotic industry produced a global literature.
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