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Persian Literary Influence on English Literature
"Hasan Javadi presents a survey of the subject often only briefly mentioned, or entirely disregarded, in many histories of English Literature. Students of that literature know of Edward FitzGerald's Ruba'iyyat or Matthew Arnold's Sohrab and Rustum, but many are unaware of the fascination that the East, including Persia, has exercised over European minds. Though dealing primarily with English literature, Javadi includes in his account some continental European Orientalists of note as well. Beginning in the late Middle Ages when the Bible and the classics were the main sources of information about Persia; the book covers the 16th and 17th centuries, when travel was beginning to increase Western knowledge about the East. There is a detailed account of Persian themes in Romantic poetry and prose, and a discussion of the works of travelers and novelists such as James Morier, whose Hajji Baba of Ispahan is still a popular novel for many Iranians."--BOOK JACKET.
The Education of Women and The Vices of Men
At the close of the nineteenth century, modern ideas of democracy and equality were slowly beginning to take hold in Iran. Exposed to European ideas about law, equality, and education, upper- and middle-class men and women increasingly questioned traditional ideas about the role of women and their place in society. In apparent response to this emerging independence of women, an anonymous author penned The Education of Women, a small booklet published in 1889. This guide, aimed at husbands as much as at wives, instructed women on how to behave toward their husbands, counseling them on proper dress, intimacy, and subservience. One woman, Bibi Khanom Astarabadi, took up the author’s challenge...
Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography
Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces—public, private, seen, unseen, accessible, and forbidden—thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long durée or resisted those societal transformations as a result of modernization.
Masters and Masterpieces of Iranian Cinema
An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.
In a Persian Mirror
The extreme anti-Western actions and attitudes of Iranians in the 1980s astonished and dismayed the West, which has characterized the Iranian positions as irrational and inexplicable. In this groundbreaking study of images of the West in Iranian literature, however, M. R. Ghanoonparvar reveals that these attitudes did not develop suddenly or inexplicably but rather evolved over more than two centuries of Persian-Western contact. Notable among the authors whose works Ghanoonparvar discusses are Sadeq Hedayat, M. A. Jamalzadeh, Hushang Golshiri, Gholamhoseyn Sa'edi, Simin Daneshvar, Moniru Ravanipur, Sadeq Chubak, and Jalal Al-e Ahmad. This survey significantly illuminates the sources of Iranian attitudes toward the West and offers many surprising discoveries for Western readers, not least of which is the fact that Iranians have often found Westerners to be as enigmatic and incomprehensible as we have believed them to be.
Travel Writing and the Empire
Travel has been a mode of assessment of territory, of knowledge gathering, and of putting a discursive system into place. This volume, edited and introduced by Sachidananda Mohanty, brings to you the range of hidden discourses that constituted and explored the issues central to the political and literary representation of Indian reality, and the politics behind it.
Travels in Iran & the Caucasus in 1647 & 1654
Travels in Iran and the Caucasus is a stimulating and informative account of an Ottoman administrator's missions to the region in the mid-seventeenth century. Evliya Chelebi's travelogue is not simply a diplomatic report, but rather a fascinating exploration of the religious, ethnic, artistic, and even culinary peculiarities of the region. In addition, it offers a fresh perspective on relations between the Ottomans and the Safavids during a period of relative calm in an otherwise stormy relationship. For the first time, the Iranian and Caucus sections of Chelebi's Siyahat-nameh have been translated from the original Turkish manuscript into English in their most complete form. As such, this b...
Close Up
Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
Charand-o Parand
A classic of Modern Persian literature, Charand-o Parand (Stuff and Nonsense) is a work familiar to every literate Iranian. Originally a series of newspaper columns written by scholar and satirist Ali-Akbar Dehkhoda, the pieces poke fun at mullahs, the shah, and the old religious and political order during the Constitutional Revolution in Iran (1906–11). The essays were the Daily Show of their era. The columns were heatedly debated in the Iranian parliament, and the newspaper was shut down on several occasions for its criticism of the religious establishment. Translated by two distinguished scholars of Persian language and history, this volume makes Dehkhoda’s entertaining political observations available to English readers for the first time.
