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The book contains a great deal of primary source material gleaned from three years of engagement and contacts within the Islamist and jihadist communities active in Syria. This includes much information never before made public by any source.
Groundbreaking essays by female activists and scholars documenting women’s resistance before, during, and after the Arab Spring Images of women protesting in the Arab Spring, from Tahrir Square to the streets of Tunisia and Syria, have become emblematic of the political upheaval sweeping the Middle East and North Africa. In Women Rising, Rita Stephan and Mounira M. Charrad bring together a provocative group of scholars, activists, artists, and more, highlighting the first-hand experiences of these remarkable women. In this relevant and timely volume, Stephan and Charrad paint a picture of women’s political resistance in sixteen countries before, during, and since the Arab Spring protests first began in 2011. Contributors provide insight into a diverse range of perspectives across the entire movement, focusing on often-marginalized voices, including rural women, housewives, students, and artists. Women Rising offers an on-the-ground understanding of an important twenty-first century movement, telling the story of Arab women’s activism.
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Patriotic Ayatollahs -- Contents -- Preface -- List of Abbreviations -- A Note on Arabic Transliteration -- Map of Iraq -- Introduction: The Making and Unmaking of Iraq -- 1. The Ayatollahs and the Struggle to Maintain Legitimacy in the New Public Sphere -- 2. Sistani, Guardian of the Democratic Process -- 3. Sistani, a Guide Only -- 4. Quietists Turned Activists? -- 5. Local and Regional Sectarian Narratives -- Conclusion: Rethinking Religion and Politics -- Notes -- References -- Index
Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings.
The noted activist discusses the sources of the Iraq War, conditions in Iraq that underlie the insurgency, and the origins of the peace movement in the United States, and offers his suggestions for how protestors can help end the war.
From Katy Perry training alongside US Marines in a music video, to the global box-office mastery of the US military-supported Transformers franchise, to the explosion of war games such as Call of Duty, it’s clear that the US security state is a dominant force in media culture. But is the ubiquity of cultural products that glorify the security state a new phenomenon? Or have Uncle Sam and Hollywood been friends for a long time? Hearts and Mines examines the rise and reach of the US Empire’s culture industry – a nexus between the US’s security state and media firms and the source of cultural products that promote American strategic interests around the world. Building on and extending Herbert I. Schiller’s classic study of US Empire and communications, Tanner Mirrlees interrogates the symbiotic geopolitical and economic relationships between the US state and media firms that drive the production of imperial culture.