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Ibrahim El-Salahi is one of the most influential figures in Sudanese modern art. Including an interview with, and a special text by, the artist this book accompanies a major exhibition at Tate Modern.
Media scholars, artists, activists, and journalists discuss how the uses of the emerging “Social Web” redefine the public sphere and influence mainstream journalism. In an age of proliferating media and news sources, who has the power to define reality? When the dominant media declared the existence of WMDs in Iraq, did that make it a fact? Today, the “Social Web” (sometimes known as Web 2.0, groupware, or the participatory web)—epitomized by blogs, viral videos, and YouTube—creates new pathways for truths to emerge and makes possible new tactics for media activism. In Digital Media and Democracy, leading scholars in media and communication studies, media activists, journalists, ...
This volume originates from the proceedings of an international conference convened by the Department of History and Civilization, International Islamic University Malaysia, in collaboration with the Embassy of the Republic of Yemen, in Kuala Lumpur, from 26 to 28 August 2005. Twelve out of thirty-five papers presented at the conference have been reviewed, thoroughly revised and published in this volume. The introduction and the twelve chapters address the question of Hadhrami identity in Southeast Asia from various perspectives and investigate the patterns of Hadhrami interaction with diverse cultures, values and beliefs in the region. Special attention is paid to Hadhrami local and transnational politics, social stratification and integration, religio-social reform and journalism, as well as to economic dynamism and the cosmopolitan character of the Hadhrami societies in Southeast Asia.
From New York Times bestselling author Barbara Wood: A magnificent coming-of-age saga about two sisters from an aristocratic Egyptian family who rebel against tradition. Inside a beautiful mansion on Virgins of Paradise Street in post-World War II Cairo, Jasmine and Camelia Rasheed grow to womanhood under the watchful eyes of their grandmother and the other women of the prominent Rasheed family. Despite the glamour and elegance of the city, women still wear the veil and live in harems. But as Egypt begins to change, so do Jasmine and Camelia. Rebelling against a society in which the suppression of women is assumed, Jasmine and Camelia embark on turbulent personal and professional voyages of discovery. Cast out of the family, Jasmine travels to America to become a doctor while Camelia sets out to become one of the foremost beledi dancers in the Middle East. Sensuous, spicy, and romantic, Virgins of Paradise is a spellbinding novel set in an exotic and erotic culture. Brilliantly portraying two sisters' search for identity amidst historic change, Wood also conveys a portrait of an ancient nation merging into the modern era while mired in superstition, magic, and mythology.
Cambridge Global English (1-6) is a six-level Primary course following the Cambridge Primary English as a Second Language Curriculum Framework developed by Cambridge English Language Assessment. Learner's Book 3 provides the core input for Stage 3 with nine thematic units of study ending with an engaging project and opportunity for self-assessment. Richly illustrated units contain six lessons, each developed around a unifying theme. The materials feature skills-building tasks for listening, reading, writing and speaking. 'Language tip' and 'Language detective' features highlight and focus on vocabulary development and language awareness. Lessons include a variety of texts: factual and fictional, dialogue and poetry covering a range of topics. Accompanying Audio CDs (2) includes listening material for Stage 3 Learner's and Activity Books. CEFR Level: A1.
This book is a critical reposition of the study of military regimes in Africa. Documenting and delving deep into the reign and rule of General Mohamed Siad Barre regime in Somalia from 1969 up to 1991, the book puts emphasis on African agencies—ostensibly shaped by external beneficiaries and patrons—over what went wrong with Africa after the much-awaited post-colonial period. It does so by critically engaging with the wider theoretical and conceptual frameworks in African Studies which more often than not tend to attribute the post-colonial African State raptures to colonialism. The main thesis of the book is that colonialism left Africa on its own space wherein African leaders could hav...