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Staggerford
The classic novel of a small Minnesota town—and of one school teacher who calls it home This utterly charming, deeply poignant debut remains perhaps the signature achievement of beloved novelist Jon Hassler—once hailed by The New York Times as “a writer good enough to restore your faith in fiction.” It’s the story of a week in the life of Miles Pruitt, a thirty-five-year-old bachelor who teaches high school English in Staggerford, Minnesota. And though it is only a week, it’s an extraordinary week, filled with the poetry of living, the sweetness of expectation, and the glory of surprise that can change a life forever. Praise for Staggerford “Witty, intelligent, compassionate . ...
Grand Opening
Twelve-year old Brendan tells the story, set in 1944-45, that begins with his parents' decision to buy a run-down grocery store in a tiny Minnesota town. What they discover about small town idealism, bigotry, and good old American values will change them and the town forever.... "A writer good enough to restore your faith in fiction." THE NEW YORK TIMES BOOK REVIEW From the Paperback edition.
Good People-- from an Author's Life
"In Good People, celebrated novelist Jon Hassler examines goodness with warmth, humor, and poignancy by exploring the many meaningful relationships that have enriched his life. He describes his parents and grandparents, childhood playmates, fellow teachers and writers - including the renowned fiction writer J.F. Powers - and shows how the goodness in these people has inspired the good people in his fiction. Written in the same engaging style as his novels, Hassler's stories reveal much of his own background, including his strong Catholic faith and the places that have shaped his writing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Four Miles to Pinecone
He was an eyewitness to a crime that his best friend committed. . . . “It all started the day school ended” That was when my English teacher decided not to flunk me—if I wrote a long story during my summer vacation. My name’s Tom Barry. I’m sixteen, and I really do want to be a junior next year at the high school in St. Paul where I live. But with my full-time job at Mr. Kerr’s grocery store, I didn’t think I’d have enough time to do it. But by the end of the week, the paper seemed small potatoes. You see, Mr. Kerr’s store was broken into—and my best friend Mouse was involved. I saw him, but I didn’t know what to do. I didn’t want to be a fink. I kept mum because it was right about then that I was invited to stay at my uncle’s resort near Pinecone. It’s a real neat place in the Minnesota woods, and I figured I would cool out there. And then I found that they have crime just like in St. Paul—but this time the stakes were much higher. Suddenly, my life was on the line. . . .
Capitalist Superheroes
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century. ,
Rookery Blues
Five members of a musical group at Rookery State College struggle with their loyalties when a labor union comes to town and organizes a teacher's strike.
