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In 2005, The Hayward Presents The Largest exhibition of contemporary African art ever seen in Europe. An international collaboration with major galleries in Dusseldorf, Paris and Tokyo, this ground-breaking exhibition and book bring together works in every medium by more than 70 artists. From Cairo to Cape Town, African artists from across the continent and from the diaspora are taking part in this spectacular survey of African creativity. This richly illustrated book includes colour reproductions and information on each of the artists.
New public spaces tend to over-represent attentions for the young and middle-aged, whereas elderly citizens are often neglected by contemporary urban design practice. This publication is a dialogue between architects and academic contributors from a variety of disciplines: by collecting examples and showcasing architectural case studies as well as age-inclusive design methodology, it provides practitioners with inspiration as well as theoretical and practical knowledge on how to design public space to meet the needs of people of all ages. The drawings, photographs and illustrations of contemporary built environments, historic gardens, art installations and atmospheric landscapes cater to the reading habits of spatial practitioners at large.
Figures in polar bear costumes on the beach, at pubs, and fairs, arm in arm with toddlers, men, women: What kind of strange pictures are these? The collector Jochen Raiß, whose flea market finds of women in trees have already stirred the enthusiasm of photography fans, again opens up his treasure trove for a new and mysterious series of people posing with polar bears. The shaggy white animal appears in the oddest places, serving both willingly and naturally as a photographic motif. Where did this evident trend originate, and why has the polar bear, of all creatures, become so popular? And why were Germans up to the mid-twentieth century in particular so crazy about polar bears? This funny little book collects the best pictures from Raiß's collection--and certainly leaves some questions unanswered.
A wider public discovery of the Georgian painter Niko Pirosmani (1862-1918) is long overdue. Today, the autodidact is known not only as one of the most significant representatives of naïve art, but the story of his special reception is remarkable, as he painted his pictures for inns and pubs. Hardly known outside of Georgia these days, his work was nevertheless displayed alongside works by Natalia Goncharova, Mikhail Larionov, Kazimir Malevich, and Marc Chagall in the legendary 1913 exhibition Mischén (Target) in Moscow, where he was known as the "Rousseau of the East." Pirosmani's unique visual vocabulary is based on consistently reduced formal elements: against an always black background, the elementary colors of red, blue, yellow, green, and white developed refined effects, immediately appealing to the viewer. Now, the Albertina in Vienna is devoting a first large retrospective to Pirosmani in the heart of Europe since a long time ago, examining his paintings in the context of art history.Exhibition: 26.10.2018-27.1.2019, Albertina, ViennaMarch-October 2019, Fondation Vincent van Gogh Arles
Spatializing Justice calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts—building blocks for a new kind of architecture— Spatializing Justice offers a practical handbook for confronting social and economic inequality and uneven urban growth in architectural and planning practice, urging practitioners to adopt approaches that range from redefining infrastructure to retrofitting McMansions. These building blocks call for expanded modes of practice, through which architects can imagine new spatial procedures, political and e...
"More Women in Trees delves deeper into Jochen Raiss's collection of flea market photographs, portraying women posing in trees. A follow-up to Raiss's first runaway hit Women in Trees, we are offered another journey into our own imaginations as we consider the circumstances surrounding the creation of these charming images."--Wrapper.
"His first book was called Invisible City and has become quite a legend. Twelve years after this initial success, the American photographer Ken Schles now presents his second book of photographs - The Geometry of Innocence. With his photographs, Schles approaches the omnipresence of social structures, which - pushed by the flood of media images - are undergoing permanent, almost frantic change. In a veritable visual roller coaster he sends his viewers onto city streets, playgrounds, into pubs and bars, puts them into a police helicopter and takes them to death row, hospital rooms and police interventions. There is no "story", only a breathless sequence of pictures condensed into thematic clusters - a highly intense visual experience soon holding the viewer spell-bound. Ken Schles is aware that the meaning of the photographic image is relative. But he did his book anyway, and with The Geometry of Innocence, he succeeded in creating a bold, highly sophisticated picture book."--Publisher.
Back in print--the standard work on Heino Engel's structure systems. The hundreds of drawings and photographs reproduced in this hardback volume offer almost endless variations on the many structural systems that can keep buildings together: within a few pages of one another, tents, domes and cubes are shown supported by poles, cables, ribs, rafters and beams. Engel's presentation and explanation of this highly complex material differs fundamentally from others' work on the subject in that he focuses entirely upon the functions and design effects of these mechanisms, without regard for technical details: More than an engineering text, this is a catalogue of ideas and forms for architects and dreamers, a David Macaulay book for adults. Structure Systems skips over more commonly treated special designs and completed buildings for typical, representative and surprising shapes. As a reference work or daydream material, it is an indispensable repertoire of forms.
Essays by Russell Ferguson and Kerry Brougher.
Intervening Spaces examines the interconnectedness between bodies, time and space - the oscillating and at times political impact that occurs when bodies and space engage in non-conventional ways. Bodies intervene with space, creating place. Likewise, space can reconceptualise notions of the subject-body. Such respatialisation does not occur in a temporal vacuum. The moment can be more significant than a millennia in producing new ways to see corporeal connections with space. Drawing on theorists as diverse as Foucault, Deleuze, Guattari, Heidegger, Merleau-Ponty, Lefebvre and Grosz, temporal and spatial dichotomies are dissolved, disrupted and interrupted via interventions—revealing new ways of inhabiting space. The volume crosses disciplines contributing to the fields of Sociology, Literature, Performance Arts, Visual Arts, Architecture and Urban Design. Contributors are Burcu Baykan, Pelin Dursun Çebi, Michelle Collins, Christobel Kelly, Anthi Kosma, Ana Carolina Lima e Ferreira, Katerina Mojanchevska, Clementine Monro, Katsuhiko Muramoto, Nycole Prowse, Shelley Smith, Nicolai Steinø and İklim Topaloğlu.