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Hannah Bailey has sealed her heart against love, she's resigned herself to a dead-end job and her catastrophic thinking is out of control. In fact, she's hard pushed to find a single reason for her existence - until the day she stumbles across a tiny cinema with just one seat - Cinema Lumiere is a cinema with a difference. No ticket is required and once inside, each customer is shown a subtly edited film of their life. But how does its French owner Victor make such films and why is he so determined to coax Hannah into that single red velvet seat?
Oskar is the ultimate outsider. He's been living on the Berlin streets since he was 13. To perk himself up, he paints the misery of mankind and has become the enfant terrible of the Berlin art scene. But one day during a not-so-routine eye test he tries on a pair of glasses which blow his bleak world view to bits and give him a glimpse of heaven. Shortly after, to Oskar's fury, he begins to see the beauty of the world around him, to feel a connection to others and, most frightening of all, to fall in love. Will it be an easy ride? Hell no.
Reflecting upon his childhood and the renowned 90s so as to fill in blanks that have remained largely unspoken of, The Final Say is set to reveal what Carlton's life has been like over the last 2 decades....this book is sure to surprise many who have pre-conceptions on both his beliefs and his private life! Offering so much more than just violence and crime, this book also delves into intimate details of Carlton's life, from his east London up-bringing including his 1960s and 70s schooling, the highs experienced over decades of partying in Ibiza, to the immense pain of watching his father fade and pass away, plus so much more inbetween. Here, Carlton recalls the most extreme moments in his life that have yet to be discussed, from the most joyous to the excruciating. This is a rare opportunity to hear, not just from the man himself, but also from those closest to him; Carlton's family and inner-circle. For Carlton, it's time to set rumours straight, leave his legacy and for him to have the final say. Going a step further than the written word, this book also includes over 35 never before published photographs!
"In a world where 'there is no alternative', how do you dissent? Once upon a time, graphic designers would have made political posters and typeset manifestos. Today, protest has new strategies. Enter the internet meme. With its Darwinian survival skills and its viral potential, the meme is a way of scaling up protest. Hackers and activists have learned to unleash the destructive force of a Rick Astley video. They have let slip the Lolcats of war. Pranks have become a resistance strategy. As the rise of Beppe Grillo in Italy testifies, this may be the hour to fight nonsense with nonsense. Jokes are an open-source weapon of politics, and it is time to tap their power."--Publisher's website
The Essential Cult TV Reader is a collection of insightful essays that examine television shows that amass engaged, active fan bases by employing an imaginative approach to programming. Once defined by limited viewership, cult TV has developed its own identity, with some shows gaining large, mainstream audiences. By exploring the defining characteristics of cult TV, The Essential Cult TV Reader traces the development of this once obscure form and explains how cult TV achieved its current status as legitimate television. The essays explore a wide range of cult programs, from early shows such as Star Trek, The Avengers, Dark Shadows, and The Twilight Zone to popular contemporary shows such as Lost, Dexter, and 24, addressing the cultural context that allowed the development of the phenomenon. The contributors investigate the obligations of cult series to their fans, the relationship of camp and cult, the effects of DVD releases and the Internet, and the globalization of cult TV. The Essential Cult TV Reader answers many of the questions surrounding the form while revealing emerging debates on its future.
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Once grande dames of Hollywood, by 1962 arch-rivals Bette Davis and Joan Crawford were in danger of becoming has-beens. Then an opportunity came along: to appear together in a new movie called Whatever Happened To Baby Jane?-2 women
A mission to find a mythological watering hole... In June 1999, Aug Stone and his best friend flew to Germany to find the bar they had heard Nick Cave owned in Berlin. They assumed they would get off the plane, ask 'which way to Nick Cave's bar?', and then spend the rest of their time living it up amidst the wild world of its confines. Instead what followed were nine days of confusion, thwarted plans, and perpetual drunken misery. To this day, they're not sure Nick Cave ever owned a bar in Berlin. Aug Stone is a writer, comedian, & musician. Stone is the author of the comedy novel Off-License To Kill, and his journalism has appeared in The Quietus, The Comics Journal, Under The Radar, and many other sites and magazines. He performs comedy as Young Southpaw, bringing his surreal stories to the world via The Young Southpaw Part Of An Hour podcast and 'blends the arts with the absurd' on his interview show Etcetera ETC With Young Southpaw.
A Sense of Dread features three main sections.1) A detailed examination of the biological, psychological, and cultural bases of fear. What fears do we share with animals? What fears are uniquely human? What fears have we learned from our culture? From our families? From our experiences growing up? And what, exactly, is the difference between fear and dread?2) Author Neal Marshall Stevens explores the fundamentals of storytelling and scriptwriting, including the basics of story structure, creating effective protagonists and antagonists, exposition and set-ups, and advice on writing dialogue.3) A Sense of Dread then combines these ideas to explore the roots of human fear and apply them to storytelling for the screen. "The Toolbox of Dread" outlines the techniques for creating terror on the page. A wide array of horror subgenres are also explored, including why they exist, and what challenges each presents to the horror screenwriter. It also offers guidance on adding horror elements to non-horror movies.Finally, we seek to answer the question many people ask: What are you afraid of?