You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Art of Light is a superb review of the work of one of the 20th century ́s most influential artists, László Moholy-Nagy ¿ an artist who conceived the various forms of art as a whole. Moholy-Nagy wanted to be a "total artist", simultaneously theoretical and practical, creating in various media and trying to overcome the separation between art and life. His was a radical, experimental art, without sacrificing any artistic practice and wandering from painting, to photography, to films. He also gave great importance to education and believed that man is the only builder of his existence. He was convinced of the importance of art and its ideological and educational functions. Laszlo Moholy-Nagy: The Art of Light presents Moholy-Nagy's work in all of its glorious unity and diversity. Including more than 200 works, from painting, and photograms to collages, films and graphic design, it emphasizes his greatest years of productivity, from 1922 to the end of his life.
Laszlo Moholy-Nagy (1895-1946) was one of the most ardent seekers of the `New Vision' among the early twentieth-century avant-gard artists. His ongoing preoccupation with the phenomenon of light defined all periods of his artistic creativity, and his strength lay in his effortless skill translating light and spatial dimensions from one medium to another. In the early 1930s the first color processes became widely available. After he had mastered the different fields of black/white photography, it was only to be expected that Moholy would focus his creative energy on the next hot issue among photographers: color photography. Not only in his Dutch and English emigration years, but also at the N...
Moholy-Nagy "was the dominant theoretician of the Bauhaus during its most prosperous era; his Constructivist/Suprematist paintings are among the finest achievements in European art of the twenties; he was a pioneer in kinetic sculpture; and his photographs, photograms and photoplastics led the way in exploring the full potential of photo reproduction. ... [H]e also made films, designed scenery and costumes, and excelled in commercial graphics and exhibition design. ... [This book] examines in detail the various stages of his career, from Hungary and Kassák's Activist circle during the First World War to Germany and the Bauhaus, from England in the 1930s to America and the founding of the New Bauhaus in Chicago ... [and includes] a wide selection of Moholy-Nagy's writings [and] extracts from his own letters, diaries and reminiscences, [and] critical commentaries of his work."--Back cover.
Catalog of an exhibtion held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007.
"Moholy-Nagy: Future Present is published in conjunction with an exhibition organized by the Solomon R. Guggenheim Foundation, the Art Institute of Chicago, and the Los Angeles County Museum of Art."
None
Marking the centenary of the birth of Laszlo Moholy-Nagy (1895–1946), this book offers a new approach to the Bauhaus artist and theorist’s multifaceted life and work—an approach that redefines the very idea of biographical writing. In Laszlo Moholy-Nagy, Louis Kaplan applies the Derridean deconstructivist model of the "signature effect" to an intellectual biography of a Constructivist artist. Inhabiting the borderline between life and work, the book demonstrates how the signature inscribed by "Moholy" operates in a double space, interweaving signified object and signifying matter, autobiography and auto-graphy. Through interpretative readings of over twenty key artistic and photographi...
Tikal Report 27 presents artifacts and associated unworked materials recovered by the University of Pennsylvania Museum's Tikal Project of 1956-1969.
None
A major voice in the architectural culture of the mid-century, Sibyl Moholy-Nagy was uniquely engaged with modernism and modernity. As one of the very few female architectural critics of the time, she was an early voice articulating doubts about the path modernist architecture was taking, demystifying the myths of the masters, Mies, Le Corbusier and Gropius, and questioning their heroic, masculinist approach. Yet her writings and work are understudied, and have largely vanished from the canon of scholarly references on modernism. This book analyzes the significance of the life and work of Moholy-Nagy and explores the paradoxical aspects of the relationship between modernism and feminism. Pub...