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Islamic Art Collections
An annotated index and general orientation of Islamic art collections in museums, libraries, other institutions and on private hands. Includes a short description of each collection, its main characteristics, documentation, publications and exhibitions.
Muqarnas
None
Family Life in the Ottoman Mediterranean
Beshara B. Doumani uses a variety of local sources to examine everyday family life throughout the Ottoman Empire.
Symbols and Models in the Mediterranean
This collection spans a vast chronology and territory, ranging from Old Kingdom Egypt to modern-day Slovenia and moving geographically from the centres to the peripheries of the Mediterranean and back again, including Antinoë, Calabria, Belgrade, and Paris. While this volume can be situated well within the context of Mediterranean studies, each essay serves as a micro-study that demonstrates one of the many ways in which Mediterranean communities have co-opted, appropriated, and adapted symbols from one another. As a result, this interdisciplinary volume adds something unique to each discipline represented within it (including history, anthropology, art history, literature, and philosophy, among others) while contributing to the greater discourse of Mediterranean studies. Furthermore, the essays collectively illustrate how symbols were distributed widely among Mediterranean communities and, consequently, further a dialogue about what “Mediterranean” might mean. Overall, the original content and its accessibility make the volume valuable to academics, graduate and undergraduate students, and general audiences alike.
The Arts of the Mamluks in Egypt and Syria
Based on the conference "The Arts of the Mamluks in Egypt and Syria" held at SOAS in 2009.
The City in the Islamic World (2 vols.)
The purpose of this book is to draw attention to the sites of life, politics and culture where current and past generations of the Islamic world have made their mark. Unlike many previous volumes dealing with the city in the Islamic world, this one has been expanded not only to include snapshots of historical fabric, but also to deal with the transformation of this fabric into modern and contemporary urban entities. Salma Khadra Jayyusi was awarded Cultural Personality of the Year by the Sheikh Zayed Book Award for her profound contribution to Arabic literature and culture in 2020. The paperback edition of The City in the Islamic World was published to celebrate the occasion.
Islamic Urban Studies
The term 'Islamic cities' has been used to refer to cities of the Islamic world, centring on the Middle East. Academic scholarship has tended to link the cities of the Islamic world with Islam as a religion and culture, in an attempt to understand them as a whole in a unified and homogenous way. Examining studies (books, articles, maps, bibliographies) of cities which existed in the Middle East and Central Asia in the period from the rise of Islam to the beginning of the 20th century, this book seeks to examine and compare Islamic cities in their diversity of climate, landscape, population and historical background. Coordinating research undertaken since the nineteenth century, and comparing the historiography of the Maghrib, Mashriq, Turkey, Iran and Central Asia, Islamic Urbanism provides a fresh perspective on issues that have exercised academic concern in urban studies and highlights avenues for future research.
Constructions of Power and Piety in Medieval Aleppo
Tabbaa argues that the intense palatial and religious architectural activity of the period was intended to create a royal image of the Ayyubid state while also fostering links between it and the urban population. His study is based on an entirely new evaluation of the architectural and epigraphic aspects of the standing monuments of the period. It presents for the first time full photographic coverage of these monuments, as well as many new plans and other renderings, and pays close attention to monumental inscriptions, correcting and augmenting previous studies. The book utilizes the full panoply of the available literary sources, including topographies, chronicles, travel accounts, and poetry.
Muthanna / Mirror Writing in Islamic Calligraphy
Muthanna, also known as mirror writing, is a compelling style of Islamic calligraphy composed of a source text and its mirror image placed symmetrically on a horizontal or vertical axis. This style elaborates on various scripts such as Kufic, naskh, and muhaqqaq through compositional arrangements, including doubling, superimposing, and stacking. Muthanna is found in diverse media, ranging from architecture, textiles, and tiles to paper, metalwork, and woodwork. Yet despite its centuries-old history and popularity in countries from Iran to Spain, scholarship on the form has remained limited and flawed. Muthanna / Mirror Writing in Islamic Calligraphy provides a comprehensive study of the text...
