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At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and ea...
The power of the American press to influence and even set the political agenda is commonly associated with the rise of such press barons as Joseph Pulitzer and William Randolph Hearst at the turn of the century. The latter even took credit for instigating the Spanish-American War. Their power, however, had deeper roots in the journalistic culture of the nineteenth century, particularly in the social and political conflicts that climaxed with the Civil War. Until now historians have paid little attention to the role of the press in defining and disseminating the conflicting views of the North and the South in the decades leading up to the Civil War. In The Civil War and the Press historians, ...
With contributions from over 100 scholars, the Encyclopedia of American Poetry: The Nineteenth Centry provides essays on the careers, works, and backgrounds of more than 100 nineteenth-century poets. It also provides entries on specialized categories of twentieth-century verse such as hymns, folk ballads, spirituals, Civil War songs, and Native American poetry. Besides presenting essential factual information, each entry amounts to an in-depth critical essay, and includes a bibliography that directs readers to other works by and about a particular poet.
The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.
How did African-American slaves view their white masters? As demons, deities or another race entirely? When nineteenth-century white Americans proclaimed their innate superiority, did blacks agree? If not, why not? How did blacks assess the status of the white race? Mia Bay traces African-American perceptions of whites between 1830 and 1925 to depict America's shifting attitudes about race in a period that saw slavery, emancipation, Reconstruction, and urban migration. Much has been written about how the whites of this time viewed blacks, and about how blacks viewed themselves. By contrast, the ways in which blacks saw whites have remained a historical and intellectual mystery. Reversing the focus of such fundamental studies as George Fredrickson's The Black Image in the White Mind, Bay investigates this mystery. In doing so, she uncovers and elucidates the racial thought of a wide range of nineteenth-century African-Americans--educated and unlettered, male and female, free and enslaved.
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In this illuminating history, a senatorial debate about states’ rights exemplifies the growing rift within pre-Civil War America. Two generations after the founding, Americans still disagreed on the nature of the Union. Was it a confederation of sovereign states or a nation headed by a central government? To South Carolina Senator Robert Y. Hayne, only the vigilant protection of states’ rights could hold off an attack on a southern way of life built on slavery. Meanwhile, Massachusetts Senator Daniel Webster believed that the political and economic ascendancy of New England—and the nation—required a strong, activist national government. In The Webster-Hayne Debate, historian Christop...
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