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The Cambridge history of China / general editors Denis Twitchett ... -- v. 13
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Volume I is divided into two parts. Part A of volume 1 in the Ben cao gang mu series offers a translation of chapters 1 and 2 and portions of chapter 3. Chapters 1 and 2 are devoted to introducing the history of materia medica. Chapter 3 is devoted to pharmaceutical drugs for diseases. Chapter 3 is continued, along with chapter 4, in part B of volume I. The Ben cao gang mu is a sixteenth-century Chinese encyclopedia of medical matter and natural history by Li Shizhen (1518–1593). The culmination of a sixteen-hundred-year history of Chinese medical and pharmaceutical literature, it is considered the most important and comprehensive book ever written in the history of Chinese medicine and remains an invaluable resource for researchers and practitioners. This nine-volume series reveals an almost two-millennia-long panorama of wide-ranging observations and sophisticated interpretations, ingenious manipulations, and practical applications of natural substances for the benefit of human health. Paul U. Unschuld's annotated translation of the Ben cao gang mu, presented here with the original Chinese text, opens a rare window into viewing the people and culture of China's past.
Li Yunfan had bought a second-hand computer with an ordinary 'Three Sans Sans Diaos'. It was actually a communication device used by deities! His life had undergone a tremendous change! If you have nothing to do, do it with a fairy! Take advantage of Chang'e when you're bored! Since he didn't have the money to buy immortal pills, he might as well sell a bag of spicy gluten! King of Hell, Jade Emperor heard Li Yunfan's name and started trembling, crying as he hugged Li Yunfan's leg. "Brother Li, give me another packet of spicy gluten!"
This volume brings together a number of important studies by leading scholars on various aspects of intellectual and institutional developments during the early Chinese empire. The subjects treated cover law and ritual (J.L. Kroll, Jacques Gernet, Léon Vandermeersch and M.J. Meijer), philosophy and religion (Derk Bodde, U. Libbrecht, Robert P. Kramers and E. Zürcher) and literature and entertainments (David Knechtges and Michael Loewe). Some contributions deal with aspects of the Han legacy to later Chinese culture (W.L. Idema and Harriet T. Zurndorfer). These studies are preceded by a biography and bibliography (Ph. de Heer) of Anthony F.P. Hulsewé in honour of whose eightieth birthday this Festschrift was compiled.
The musical instruments of East and Southeast Asia enjoy increasing recognition as parts of humanity’s intangible cultural heritage. Helen Rees edits a collection that offers vibrant new ways to link these objects to their materials of manufacture, the surrounding environment, the social networks they form and help sustain, and the wider ethnic or national imagination. Rees organizes the essays to reflect three angles of inquiry. The first section explores the characteristics and social roles of various categories of instruments, including the koto and an extinct Balinese wooden clapper. In section two, essayists focus on the life stories of individual instruments ranging from an heirloom ...