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Caribbean Waves
"Caribbean Waves explores the ways in which literature can probe the complexities of displacement and identity construction that often accompany migratory experiences. Analysis of McKay's and Marshall's works reveals how the forces of migration, racial and national affiliation, and "Americanization" can merge to produce uniquely hybridized, and at times profoundly homeless, black American immigrant identities."--BOOK JACKET.
That Damned Fence
Pt. 1. Topaz, a literary hotbed -- After the bombs: the experience of Toyo Suyemoto -- Writing as resistance in Topaz: TREK and All Aboard -- Toshio Mori: a literary life derailed -- Miné Okubo: an aesthetic life launched -- Pt. 2. Writing elsewhere -- The Pulse of Amache/Granada -- Dispatches from tumultuous Tule Lake -- Internment novels: Toshio Mori's the Brothers Murata and Hiroshi Nakamura's treadmill -- Jerome's magnet -- Humiliation and hope in Rohwer's the Pen.
Race and the Modern Artist
Definitions of modernism have been debated throughout the twentieth century. But both during the height of the modernist era and since, little to no consideration has been given to the work of minority writers as part of this movement. Considering works by writers ranging from B.A. Botkin, T.S. Eliot, Waldo Frank, and Jean Toomer to Pedro Pietri and Allen Ginsberg, these essays examine the disputed relationships between modernity, modernism, and American cultural diversity. In so doing, the collection as a whole adds an important new dimension to our understanding of twentieth-century literature.
The Invisible Heart
A lively, unorthodox look at economics, business, and public policy told in the form of a novel. A love story that embraces the business and economic issues of the day? The Invisible Heart takes a provocative look at business, economics, and regulation through the eyes of Sam Gordon and Laura Silver, teachers at the exclusive Edwards School in Washington, D.C. Sam lives and breathes capitalism. He thinks that most government regulation is unnecessary or even harmful. He believes that success in business is a virtue. He believes that our humanity flourishes under economic freedom. Laura prefers Wordsworth to the Wall Street Journal. Where Sam sees victors, she sees victims. She wants the gove...
Psychoanalysis in Context
Drawing on methods and approaches from various schools of psychoanalysis, comparative literature, and cultural studies, the contributors to Psychoanalysis in Context examine how the circulation of psychoanalysis across time and place reflects and shapes literature and literary criticism. The essays in this volume cover a wide geographic and thematic range while attending to the historical moment of the literature, the psychoanalysis, and the interpretations—and misinterpretations—of psychoanalysis. Adrienne Seely examines the psychoanalytic dimensions of narrative structure in light of masochistic aesthetics and of the situating of women and robots both beneath and beyond humanist ideolo...
“My Soul Is A Witness”
This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.
The Cambridge Companion to the Twentieth-Century American Novel and Politics
This volume analyzes how political movements, ideas, and events shaped the American novel.
The Last "Darky"
The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially libe...
Aphrodite's Daughters
The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invoca...
Gender, Race, and American Science Fiction
This book focuses on the interplay of gender, race, and their representation in American science fiction, from the nineteenth-century through to the twenty-first, and across a number of forms including literature and film. Haslam explores the reasons why SF provides such a rich medium for both the preservation of and challenges to dominant mythologies of gender and race. Defining SF linguistically and culturally, the study argues that this mode is not only able to illuminate the cultural and social histories of gender and race, but so too can it intervene in those histories, and highlight the ruptures present within them. The volume moves between material history and the linguistic nature of...
