Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Twentieth-Century Fiction by Irish Women
During much of the twentieth century, Irish women's position was on the boundaries of national life. Using Julia Kristeva's theories of nationhood, often particularly relevant to Ireland, this study demonstrates that their marginalization was to women's, and indeed the nation's, advantage as Irish women writers used their voice to subvert received pieties both about women and about the Irish nation. Kristevan theories of the other, the foreigner, the semiotic, the mother, and the sacred are explored in authors as diverse as Elizabeth Bowen, Kate O'Brien, Edna O'Brien, Mary Dorcey, Jennifer Johnston, and Eilis Ni Dhuibhne, as well as authors from Northern Ireland like Deirdre Madden, Polly Devlin, and Mary Morrissy. These writers, whose voices have frequently been sidelined or misunderstood because they write against the grain of their country's cultural heritage, finally receive their due in this important contribution to Irish and gender studies.
A History of the Irish Short Story
Though the short story is often regarded as central to the Irish canon, this text was the first comprehensive study of the genre for many years. Heather Ingman traces the development of the modern short story in Ireland from its beginnings in the nineteenth century to the present day. Her study analyses the material circumstances surrounding publication, examining the role of magazines and editors in shaping the form. Ingman incorporates recent critical thinking on the short story, traces international connections, and gives a central part to Irish women's short stories. Each chapter concludes with a detailed analysis of key stories from the period discussed, featuring Joyce, Edna O'Brien and John McGahern, among others. With its comprehensive bibliography and biographies of authors, this volume will be a key work of reference for scholars and students both of Irish fiction and of the modern short story as a genre.
Irish Women's Fiction
Irish Women's Fiction examines women's novels up to and following the establishment of the Irish state, the period of the Second World War, the Second Wave feminism of the 1970s, to postmodernism in the 1990s. Heather Ingman discusses Irish women's writing across all major genres both literary and popular, including children's writing, crime fiction, and in the discussion of the writing of the Celtic Tiger era, the phenomenal success of Irish chick lit. The topic of Irish women's writing is still a neglected one, with women's novels too often sidelined, despite the international recognition gained by prize-winning novels by Anne Enright and Emma Donoghue among others. Describing the circumstances of women's writing lives, as well as the themes with which they deal, Irish Women's Fiction is written in an accessible style and is the first ever single-volume survey of Irish women's writing and writers, bringing Irish women writers back in to the canon of Irish literature.
Women's Fiction Between the Wars
Focusing on six key writers of the inter-war period--Virginia Woolf, Dorothy Richardson, Ivy Compton-Burnett, Elizabeth Bowen, Rose Macaulay and Jean Rhys--this book looks at the way these writers explore the mother-daughter relation, finding in it a key to their identity as women and as artists. By situating the mother-daughter story within a specific historical context, Heather Ingman is able, for the first time, to draw parallels between the work of women novelists and that of female psychoanalysts Helene Deutsch, Melanie Klein and Karen Horney during the inter-war period. Her book argues that inter-war women writers renegotiate motherhood, rescuing it from Freud's hostile account and remolding it to suit women's actual experience in a way that empowers them as artists.
Ageing in Irish Writing
Age is a missing category in Irish literary criticism and this book is the first to explore a range of familiar and not so familiar Irish texts through a gerontological lens. Drawing on the latest writing in humanistic, critical and cultural gerontology, this study examines the portrayal of ageing in fiction by Elizabeth Bowen, Molly Keane, Deirdre Madden, Anne Enright, Iris Murdoch, John Banville, John McGahern, Norah Hoult and Edna O’Brien, among others. The chapters follow a logical thematic progression from efforts to hold back time, to resisting the decline narrative of ageing, solitary ageing versus ageing in the community, and dementia and the world of the bedbound and dying. One chapter analyses the changing portrayal of older people in the Irish short story. Recent demographic shifts in Ireland have focused attention on an increasing ageing population, making this study a timely intervention in the field of literary gerontology.
A History of Modern Irish Women's Literature
This book offers the first comprehensive survey of writing by women in Ireland from the seventeenth century to the present day. It covers literature in all genres, including poetry, drama, and fiction, as well as life-writing and unpublished writing, and addresses work in both English and Irish. The chapters are authored by leading experts in their field, giving readers an introduction to cutting edge research on each period and topic. Survey chapters give an essential historical overview, and are complemented by a focus on selected topics such as the short story, and key figures whose relationship to the narrative of Irish literary history is analysed and reconsidered. Demonstrating the pioneering achievements of a huge number of many hitherto neglected writers, A History of Modern Irish Women's Literature makes a critical intervention in Irish literary history.
Mothers and Daughters in the Twentieth Century
This anthology of women's writing on the mother-daughter relationship covers the whole of the twentieth century and includes writing from many different cultures - black American, Jewish, West Indian, Irish, Chinese-American. The anthology has headnotes giving brief biographical details for each author plus suggestions for further reading. There is a substantial introduction tracking the evolution of the mother-daughter relationship in the twentieth century, setting it in the context of developments in psychoanalytical and feminist theory.* Covers fiction, non-fiction and poetry from different cultures and different decades* Substantial introduction tracing the evolution of the mother-daugher relationship in the 20th century* Headnotes place the extracts in their historical and cultural context* Overview of feminist and psychoanalytical theory relating to the mother-daughter relationship
Writing Resistance in Northern Ireland
Writing Resistance in Northern Ireland is an examination of feminist republicanism(s) in the north of Ireland between 1975 and 1986. Republican prison protest was rife during this period, and fractures opened up between the feminist and republican movements. Despite their shared objective of self-determination, the two movements did not achieve a natural or total congruence. While it has been argued that there is a disjuncture between feminism and nationalism, this book argues for a new perspective on feminist republicanism(s) in the north and tells the story of a niche collective of republican feminists who came to the fore during the Troubles and sought bodily, political and economic auton...
The Cambridge Companion to Modernist Women Writers
Women played a central role in literary modernism, theorizing, debating, writing, and publishing the critical and imaginative work that resulted in a new literary culture during the early twentieth century. This volume provides a thorough overview of the main genres, the important issues, and the key figures in women's writing during the years 1890–1945. The essays treat the work of Woolf, Stein, Cather, H. D. Barnes, Hurston, and many others in detail; they also explore women's salons, little magazines, activism, photography, film criticism, and dance. Written especially for this Companion, these lively essays introduce students and scholars to the vibrant field of women's modernism.
The Irish Revival
The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of “complexity,” a theory recently developed in the informa...
