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Foreword by Catharine MacKinnon.
There is no other book that has addressed the meaning of flowers to human beings so diversely, comprehensively, and thoughtfully as Not a Rose. Masked as a traditional coffee table book, it quotes from the genre while turning it inside out, for the images it offers are not innocent pretty flowers but elegant, compelling, and yet grotesque sculptures that the artist has created from the offal, sex organs, and other parts of animals, reminding us that the flowers that grace our homes are really the detached dead sex organs of living beings, and making us question the foundations of aesthetic reception in general. Woven through the images, and taking its cue from them, is the writing of more than eighty prominent intellectuals, writers, and artists who address "the question of the flower" from a multiplicity of perspectives, including anthropology, philosophy, psychology, sociology, and art history.
The art of the human image arose millennia ago as a way beyond impermanence and, especially, to keep the dead among us. The pictorial object - the icon - often carried a charge as ritual or ceremonial artifact and, indeed, as a thing with a certain power. The artist Heide Hatry has extended this tradition by creating realistic portraits made out of the actual ashes of the departed person portrayed. Are the results reminiscent of ancient sacred and secular traditions and their complex, even mysterious function to, say, calm, enrich or transform our experience? Icons in Ash includes twenty of Hatry's portraits and twenty-seven contemporary writers who explore this phenomenon in original and engaging meditations on death, the dead body, art, relics, psychology, philosophy, religion, mourning, evolution, transformation, and immortality. Contributors include, among others, Hans Belting, Mark Dery, Eleanor Heartney, Siri Hustvedt, Jonas Mekas, Rick Moody, Mark Pachter, Steven Pinker, Wolf Singer, Luisa Valenzuela, and Peter Weibel. Normal0falsefalsefalseEN-USJAX-NONE
The symbolic meaning of plants, their relevance to religion and the metaphorical provocations in the order of knowledge, culture and political power underline the role of plants as something more than passive objects. Current theoretical and artistic discourses have been seeking access to the world independently of man by focusing on the nonhuman other. The contributors to this volume examine the historical, philosophical and scientific findings that generate this idea. In what way are such perspectives manifest in contemporary art? Do artists develop a particular approach that enables nonhuman life forms like plants, insects or animals to have an impact?
British photographer Tariq Zaidi presents a fashion subculture of Kinshasa & Brazzaville: La Sape, Societe des Ambianceurs et des Personnes Elegantes. Its followers are known as 'Sapeurs' ('Sapeuses' for women). Most have ordinary day jobs as taxi-drivers, tailors and gardeners, but as soon as they clock off they transform themselves into debonair dandies. Sashaying through the streets they are treated like rock stars - turning heads, bringing 'joie de vivre' to their communities and defying their circumstances.
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Carolee's is the second issue of The Magazine of the Artist's Institute. Dedicated to Carolee Schneemann, it features a previously unpublished image archive from Schneemann's studio that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture. A new long-form pro'le of Schneemann by writer Maggie Nelson accompanies this project and considers the artist's relationship to the history of her reception and Schneemann's signi'cant in'uence on subsequent generations of feminists
Award winning Swedish photographer Per-Anders Pettersson shows a new and unexpected side of the African continent as he examines the fast growing fashion industry in Africa. This book is the first time the emerging African fashion industry has been documented in exclusive behind the scenes photographs. The series was taken in 15 countries around Africa from 2010-2015 and celebrates a new, vibrant, colourful and unexpected view of the African continent.
The Greenland Dog is one of the greatest heroes of the Arctic, but his fate is uncertain.
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