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Ganadores del Concurso Literario para niñas, niños y jóvenes mexicanos. Decamerón 2020
Al poco tiempo de haberse declarado la pandemia que vino a trastocar la vida de todos a nivel mundial, el Concurso de Cuento Decamerón 2020 surgió del interés por abrir horizontes de creación en cada una de las niñas, niños y jóvenes de México que comenzaban a vivir la experiencia de verse obligados a permanecer confinados. Después de un arduo proceso de selección, el jurado eligió cien cuentos ganadores de los más de 600 que fueron enviados de 24 estados de la República e incluso del extranjero.Entre las obras recogidas hay cuentos de hadas y de ciencia ficción; mitos, leyendas y fabulas; crónicas, memorias y diarios; bestiarios, cómics, microrelatos y una que otra poesía, ...
Warworks
Explores the ways in which women photographers have used war to express major issues in contemporary art and society. The author removes war photography from its niche as reportage and places it as a central channel for contemporary imagination.
Historien om kunst uden mænd
Kvindernes kunsthistorie er en rig og fascinerende historie, der hører til i den kunsthistoriske kanon på lige fod med de mandlige kunstnere. Men alt for længe er kvinderne blevet udeladt. Det gør kunsthistoriker Katy Hessel nu op med i denne bog, der tager læseren på en rejse gennem de største og vigtigste værker i historien om kunst – uden mænd. Denne bog fortæller om nogle helt særlige kvinder i kunstens verden. Det er de vigtigste kvindelige kunstnere fra Renæssancen og1800-tallets USA, den hollandske guldalder og efterkrigstidens Latinamerika. Det er historien om, hvordan kvinderne brød med normerne, kom ind på kunstakademierne og var med til at forme kunstens verden. Dette er historien om kunst, som den aldrig er blevet fortalt før. Med dansk forord af Anna Kærsgaard Gregersen, museumsinspektør på Glyptoteket.
Conceptual Art
This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collect...
Billy Apple®
"A major study of New Zealand¿s most internationally significant living artist. Billy Apple (born Barrie Bates in Auckland, 1935) is New Zealand¿s most internationally significant living artist and a pioneer of pop and conceptual art. At the Royal College of Art in London from 1959¿62, Apple studied with key contemporaries ¿ notably David Hockney ¿ and staged one of the earliest solo exhibitions in the new `pop¿ art after changing his name, in 1962, to `Billy Apple¿. In 1964 he moved to New York. There, he worked as an art director, developed his art, exhibited extensively with leading artists (notably in the 1964 American Supermarket exhibition with Andy Warhol, Jasper Johns and othe...
Lucia Joyce
This account of Lucia Joyce, daughter of James Joyce, explores the relationship between them as well as their deep creative bond. Even after emotional turmoil wrought havoc with her sanity, her father still saw her life as one lived in tandem with his own.
Surrealist women's writing
Surrealist women’s writing: A critical exploration is the first sustained critical inquiry into the writing of women associated with surrealism. Featuring original essays by leading scholars of surrealism, the volume demonstrates the extent and the historical, linguistic, and culturally contextual breadth of this writing. It also highlights how the specifically surrealist poetics and politics of these writers’ work intersect with and contribute to contemporary debates on, for example, gender, sexuality, subjectivity, otherness, anthropocentrism, and the environment. Drawing on a variety of innovative theoretical approaches, the essays in the volume focus on the writing of numerous women surrealists, many of whom have hitherto mainly been known for their visual rather than their literary production. These include Claude Cahun, Leonora Carrington, Kay Sage, Colette Peignot, Suzanne Césaire, Unica Zürn, Ithell Colquhoun, Leonor Fini, Dorothea Tanning, and Rikki Ducornet.
High Wire
High Wire brings together Booker finalist writer Lloyd Jones and artist Euan Macleod. It is the first of a series of picture books written and made for grownups and designed to showcase leading New Zealand writers and artists working together in a collaborative and dynamic way. In High Wire the narrators playfully set out across the Tasman, literally on a high wire. Macleods striking drawings explore notions of home, and depict homeward thoughts and dreams. High Wire also enters a metaphysical place where art is made, a place where any ambitious art-making enterprise requires its participants to hold their nerve and not look down. Its a beautifully considered small book which richly rewards the reader and stretches the notion of what the book can do.
Washday at the Pa
WASHDAY AT THE PA, by New Zealand premier photographers Ans Westra, was first published as a photo-story booklet in 1964 by the Department of Education for use in Primary Schools, but all 38,000 copies were withdrawn following a campaign by the Maori Women's Welfare League that it would have a 'detrimental effect' on Maori people - and that the living conditions portrayed within the book were atypical. A second edition of the booklet was published the same years with some images omitted. This edition is a selection of these two editions together with photographs of the washday family taken in 1988, and includes essays by arts critic, journalist and broadcaster Mark Amery detailing the controversy and background of WASHDAY AT THE PA.
In Her Own Image
Knafo, a feminist psychoanalyst and art critic, extends the discourse between feminism and art history, while revealing core psychological sensibilities involved in women's self-representation - the need for mirroring, the use of mask and masquerade, the drive for reparation, the presence of the uncanny, and the concept of female narcissism. --Publisher.
