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Architecture and film have many things in common. Film narratives are embedded in scenes that visually support the story. Sometimes architecture even performs the role of an actor. Conversely, film with its multifaceted changing atmospheres reveals new layers of architecture which, outside the cinema, would remain concealed. In conclusion, film as a mass medium influences the way architecture is perceived, and its image in society. Since the beginning of cinema, architecture has formed a symbiosis with film. With its systematic analysis, this book offers a scientifically researched history of mutual influence, starting with filmography as a typology of well-known film sets through to the description of the chameleon effect between film and architecture.
The Mountaineers Books publishes the best in climbing literature, boasting a list of books chronicling the greatest climbing adventures ever pursued. Courage & Misfortune contains gripping accounts of expeditions that encountered violent forces of nature or tragic accidents.
From Sean Connery to Roy Rogers, from comedy to political satire, films that include espionage as a plot device run the gamut of actors and styles. More than just "spy movies," espionage films have evolved over the history of cinema and American culture, from stereotypical foreign spy themes, to patriotic star features, to the Cold War plotlines of the sixties, and most recently to the sexy, slick films of the nineties. This filmography comprehensively catalogs movies involving elements of espionage. Each entry includes release date, running time, alternate titles, cast and crew, a brief synopsis, and commentary. An introduction analyzes the development of these films and their reflection of the changing culture that spawned them.
Production Design: Architects of the Screen explores the role of the production designer through a historical overview that maps out landmark film and television designs. From the familiar environs of television soap operas to the elaborate and disorientating Velvet Goldmine. Jane Barnwell considers how themes. motifs and colours offer clues to unravel plot. character and underlying concepts. In addressing the importance of physical space in film and TV, the book investigates questions of authenticity in detail. props. colours and materials. The design codes of period drama. more playful representations of the past and distinctive contemporary looks are discussed through the use of key examples ranging from musicals of the 1930s to cult films of the 1990s. The book also includes interviews with leading production designers and studies of Trainspotting, The English Patient and Caravaggio.
Caught way up on the mountain, no one is safe, from the archetypal nightmare of Tony Kurtz, seen to freeze to death by his stranded rescuers as he hung off the Eiger, to events that unfolded on the Grand Teton, where rescuers narrowly escaped being clubbed to death by their reluctant rescuees. This collection of 35 first-hand accounts will shock and inspire in equal measure. Here is the original draft of Joe Simpson's classic Touching the Void and the first full telling of Jamie Andrew's extraordinary rescue from the Alps, which made headlines in 1999. Plus a specially commissioned account of the epic winter rescue on Mount Ararat, 2000 - the most remote mission ever undertaken by a helicopter-rescue team. And the rescuers own grim battles for survival. Compiled by one of the world's most respected mountaineers, this volume spans five continents - from the Appalachians to Mount Cook, from Peak Lenin to Siula Grande. It includes some of the brightest stars of mountaineering and mountain rescue: Joe Simpson, Doug Scott, Pete Sinclair, Milos Vrbe, Paul Nunn, Ludwig Gramminger, Karen Glazley, Ken Phillips and Blaise Agresti.
From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film.
"This book is a must for spy film buffs and the serious students of this genre." --MOVIE COLLECTOR'S WORLD
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