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Inside the Dark Tower Series
Stephen King is no stranger to the realm of literary criticism, but his most fantastic, far-reaching work has aroused little academic scrutiny. This study of King's epic Dark Tower series encompasses the career of one of the world's best-selling authors and frames him as more than a "horror writer." Four categories of analysis--genre, art, evil, and intertextuality--provide a focused look at the center of King's fictional universe. This book reaches beyond popular culture treatments of the series and examines it against King's horror work, audience expectations, and the larger literary landscape.
Dracula and the Gothic in Literature, Pop Culture and the Arts
This volume brings together fourteen articles that reappraise the productivity of Stoker’s Dracula and the strong influence it still exerts on today’s generations. The volume explores various multimodal and multimedia adaptations of the book, by critically examining its literary, cinematic, theatrical, televised and artistic versions. In so doing, it reassesses the origins, evolution, imagery, mythology, theory and criticism of Gothic fiction and of the Gothic (sub)culture. The volume is innovative in that it congregates various angles to the Gothic phenomenon, providing an overview of the interdisciplinary relationships between different cultural, artistic and creative reworkings of the Gothic in general and of Stoker’s legacy in particular.
Children and Childhood in the Works of Stephen King
This unique and timely collection examines childhood and the child character throughout Stephen King’s works, from his early novels and short stories, through film adaptations, to his most recent publications. King’s use of child characters within the framework of horror (or of horrific childhood) raises questions about adult expectations of children, childhood, the American family, child agency, and the nature of fear and terror for (or by) children. The ways in which King presents, complicates, challenges, or terrorizes children and notions of childhood provide a unique lens through which to examine American culture, including both adult and social anxieties about children and childhood across the decades of King’s works.
How to Analyze the Works of Stephen King
This title explores the creative works of famous novelist Stephen King. Books analyzed include Carrie, The Green Mile, The Stand, and the Dark Tower series. Clear, comprehensive text gives background biographical information of King. “You Critique It” feature invites readers to analyze other creative works on their own. A table of contents, timeline, list of works, resources, source notes, glossary, and an index are also included. Essential Critiques is a series in Essential Library, an imprint of ABDO Publishing Company.
Stephen King's Modern Macabre
As Stephen King has continued to publish numerous works beyond one of the many high points of his career, in the 1980s, scholarship has not always kept up with his output. This volume presents 13 essays (12 brand new) on many of King's recent writings that have not received the critical attention of his earlier works. This collection is grouped into three categories--"King in the World Around Us," "Spotlight on The Dark Tower" and "Writing into the Millennium"; each examines an aspect of King's contemporary canon that has yet to be analyzed.
Horror and Religion
Horror and Religion provides new readings of contemporary horror fiction in conjuncture with debates in religious studies and theology. It gives a broad analysis of a wide range of contemporary and historical horror texts in a new interdisciplinary way. This study establishes the importance of discussing theology and contemporary horror fiction in present scholarship.
Stephen King's Gothic
Explores the works of Stephen King, one of the world’s best-selling horror writers, through the lenses offered by contemporary literary and cultural theory. This title argues that King’s writing explores many of the issues analysed by critics and philosophers.
The Quest for the Dark Tower
A sprawling epic that encompasses many worlds, parallel and alternate timelines, and the echoes between these disconnects, Stephen King's Dark Tower series spans the entirety of King's career, from The Gunslinger (limited edition 1982; revised in 2003) to The Wind Through the Keyhole (2012). The series has two distinctive characteristics: its genre hybridity and its interconnection with the larger canon of King's work. The Dark Tower series engages with a number of distinct and at times dissonant genre traditions, including those of Arthurian legend, fairy tales, the fantasy epic, the Western, and horror. The Dark Tower series is also significant in its cross-references to King's other works, ranging from overt connections like characters or places to more subtle allusions, like the sigil of the Dark Tower's Crimson King appearing in the graffiti of other realities. This book examines these connections and genre influences to consider how King negotiates and transforms these elements, why they matter, and the impact they have on one another and on King's work as a whole.
The Gothic and the Carnivalesque in American Culture
The Gothic and the Carnivalesque in American Culture Offers an overview and critique of the development of Gothic studies as a field. This provides a short history of the field. Introduces the idea that the way we read Gothic texts is often different to how we might read ‘literature’. This offers a new way of understanding texts that are not wholly ‘serious’ in their representations, and is widely applicable to a number of genre productions. Provides analysis of popular and cult authors, shows and publications that are underdescribed in most discussions of the American Gothic; including H.P. Lovecraft and Weird Tales, Ray Bradbury, EC Comics, Creepy, Eerie and Vampirella magazines, TV shows such as Thriller and Night Gallery, Stephen King, Anne Rice, Poppy Z. Brite and Neil Gaiman’s Sandman.
How I Escaped from Gilligan's Island
In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead,...
