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Heiner Goebbels and Curatorial Composing after Cage
This Element introduces the notion of curatorial composing to account for certain musical practices that emerged from the 1960s as the founding concepts of music as an art – instituted in the modern era – were systematically dismantled. It raises the key question of how musical value and authority might be produced without recourse to an external principle, origin, transcendental framework, or other foundation. It argues that these practices do not dismiss the issue of value or simply relativise it but shift the paradigm to a curatorial concern for composing public encounters and staging events. The Element shows that Lydia Goehr's elaboration of the work-concept provides a framework that was transformed by John Cage in his work from 0'00” (1962) onwards. The Element then introduces Heiner Goebbels' practice and focus on his role as Artistic Director of the Ruhrtriennale (2012–14), which it argues was an extension of his curatorial composing.
Heiner Müller and Heiner Goebbelss Wolokolamsker Chaussee
By gathering historical and musical fragments from a Europe torn apart by the Second World War and the Cold War, East German playwright Heiner Müller and West German composer Heiner Goebbels created Wolokolamsker Chaussee as a musical panorama that stretched across modern European history at a moment of international crisis. The question at the heart of the recording was prescient in the waning years of the Cold War, but it remains no less critical for the crisis of Europe today: Is it possible for Europe to be unified? A vast range of musical styles-from folk song to hip-hop, from the symphonic canon to heavy metal-coalesce in the five acts, which expose the wounds of European history ...
Heiner Müller and Heiner Goebbelss Wolokolamsker Chaussee
"By gathering historical and musical fragments from a Europe torn apart by World War II and the Cold War, East German playwright Heiner Müller and West German composer Heiner Goebbels created Wolokolamsker Chaussee as a musical panorama that stretched across modern European history at a moment of international crisis. The question at the heart of the recording was prescient in the waning years of the Cold War, but it remains no less critical for the "crisis of Europe" today: Is it possible for Europe to be unified? A vast range of musical styles-from folk song to hip-hop, from the symphonic canon to heavy metal-coalesce in the five acts, which expose the wounds of European history while str...
Heiner Goebbels
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Heiner Goebbels
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Aesthetics of Absence
Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised’ in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels’ engagement with ‘Aesthetics of Absence’ through his own experience at the forefront of innovative music-theatre and performance making. In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wil...
Heiner Goebbels' Max Black: A Critical Introduction
Ed McKeon, Associate Lecturer at Goldsmiths College in London, introduces Heiner Goebbels' Max Black, a postdramatic piece of music theatre focusing on composition and technical artistry.
Heiner Goebbels
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Heiner Goebbels - Ästhetik der Abwesenheit
Der international renommierte und vielfach ausgezeichnete Komponist und Theatermacher Heiner Goebbels ist ein Grenzgänger zwischen den Künsten. Theater ist für ihn ein komplexes Wechselspiel zwischen Klang, Licht, Raum und der Wahrnehmung des Zuschauers. An die Stelle von Repräsentation tritt das Spiel mit der Abwesenheit von Figur, dramatischer Handlung und des Schauspielers im Zentrum der Aufmerksamkeit. Es ist diese Abwesenheit, die der Imagination des Zuschauers einen Spielraum eröffnet und eine ästhetische Erfahrung ermöglicht. Heiner Goebbels hat seine künstlerische Arbeit und die zeitgenössische Theaterpraxis immer auch theoretisch reflektiert. Der vorliegende Band ver- sammelt seine wichtigsten Aufsätze, Vorträge und Mitschriften aus den letzten zehn Jahren.
Heiner Goebbels
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