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Biber, Heinrich Ignaz Franz Von
Bartleby.com offers a brief biographical sketch of the German composer and violinist Heinrich Ignaz Franz von Biber (1644-1704). The biographical information is extracted from "The Columbia Encyclopedia, Sixth Edition," published by Columbia University Press. Biber wrote sonatas, operas, chamber music, and many works for violin.
Eight Violin Sonatas
Heinrich Ignaz Franz Biber von Biber (1644–1704) was a well-known Bohemian-Austrian Violinist, and one of the most important composers for the violin in the history of the instrument. Includes the piano score as well as separate violin score.
16 Violin Sonatas
Expertly arranged Violin Sonatas with Piano Accompaniment by Heinrich Ignaz Franz von Biber from the Kalmus Edition series. This is from the Baroque era.
Biber, Heinrich (1644-1704).
HNH International Ltd. presents information about the works of the German composer Heinrich Ignaz Franz von Biber (1644-1704), as part of naxos.com. Biber composed sonatas for violin and basso continuo, string works, and other pieces.
16 violin sonatas for violin and piano
Expertly arranged Violin Sonatas with Piano Accompaniment by Heinrich Ignaz Franz von Biber from the Kalmus Edition series. This is from the Baroque era.
The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pa...
Interpreting the Style and Context of Heinrich Ignaz Franz Biber’s Harmonia Artificioso-ariosa
The Harmonia Artificioso-Ariosa is the final published instrumental work of Heinrich Ignaz Franz von Biber. This collection was printed in 1696 in private copy and dedicated to Biber’s employer, Archbishop Johann Ernst von Thun. It does not appear, according to the historical circumstances surrounding this copy, that the collection was intended for publication, yet a second posthumous copy was produced in 1712, for reasons unknown. The prevalence of organ genres and styles observed in the collection, the influence of prominent organists working in Biber’s circle, and the placement of the work in the last decade of Biber’s career, in which he composed mostly sacred music, suggests that the Harmonia Artificioso-Ariosa was structured for use in both sacred and secular performance settings. However, this music has, until now, only been considered as part of his secular instrumental oeuvre, even though there is much evidence to contradict this belief. This thesis examines the historical, theoretical, and stylistic issues that support the Harmonia’s use in a sacred performance setting.
