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Offers information on the life of Heinrich Mèuller, the chief of the Gestapo, and his role in World War II.
A World War II veteran and dedicated researcher traces the career of Gestapo chief Heinrich Muller and exposes the Cold War cover-up by both East and West as to his later whereabouts and activities.
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This biography profiles the elusive life of Heinrich Muller, a career policeman and vengeful head of Germany's secret state police. Beyer explores Muller's kinship with Hitler during Hitler's rise to power and the actions that Muller took to protect Hitler's vision of genocide. The elements that formed the Gestapo are outlined, as are the diabolical techniques of the SS.
Explores a cold and calculating man who spent most of his life upholding the laws that Hitler's madness created.
The Grim story of the most vicious Terror Agency of all time-Its sinister Power and Barbaric acts, and the twisted men who led it-Hitler, Himmler, and Eichmann. This is the brutal expose of the rotten core of Nazi Germany. Here is revealed the true story of Hitler's terror police, the in-famous Gestapo-the madmen who headed it, the sadists who staffed it, the degenerate party that spawned it.
Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.
Covering the story of preaching from the Protestant Reformation to the end of the 17th century, the latest volume in this series covers not only what the Reformers preached but also the reform of preaching itself.
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Although beloved by performers and audiences alike, music scholars have generally viewed J.S. Bach's Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21) as one of the composer's weaker compositions. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole.