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Poets Laureate in the Holy Roman Empire
Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.
Man on His Own
In the twentieth century, Mansfield concludes, more modern ways of studying Erasmus have emerged, notably through seeing him more precisely in his own historical context.
Telemann Studies
Even as Georg Philipp Telemann's significance within eighteenth-century musical culture has become more widely appreciated in recent years, the English-language literature on his life and music has remained limited. This volume, bringing together sixteen essays by leading scholars from the USA, Germany, and Japan, helps to redress this imbalance as it signals a more international engagement with Telemann's legacy. The composer appears here not only as an important early Enlightenment figure, but also as a postmodern one. Chapters on his sacred music address the works' sensitivity to Lutheran and physico-theology, contrasting of historical and modern consciousness, and embodiment of an emerging opus concept. His secular compositions and writings are brought into rich dialogue with French musical and aesthetic currents. Also considered are Telemann's relationships with contemporaries such as Johann Sebastian Bach, the urban and courtly contexts for his music, and his influential position as 'general Kapellmeister' of protestant Germany.
Bremen als Brennpunkt reformierter Irenik
InBremen als Brennpunkt reformierter Irenik zeigt Leo van Santen anhand der Biografie von Ludwig Crocius (1586-1655), wie dessen irenische Theologie zur Verständigung von Reformierten und Lutheranern nicht so sehr dogmatisch bedingt war, als vielmehr vom Bremer Stadtrat veranlasst wurde, der an guten Beziehungen mit dem lutherischen Umland Interesse hatte. Mit seiner Irenik kollidierte Crocius jedoch, zunächst 1618-1619 als Bremer Delegierter während der Dordrechter Synode, mit der von den calvinistischen Niederlanden geforderten strengen Orthodoxie, die 1636 einen Kirchenstreit verursachte. Die von Santen erstmals ausgewerteten Korrespondenzen, die Crocius aus diesem Anlass und als Prore...
Bald wird der Himmel purpur glühen
In den geistlichen Adventsliedern wird der Leser kaum einen Hinweis auf Gebäck, Glühwein, Schnee und den Adventskranz finden; die Vorweihnachtszeit war den Kirchen und den Gläubigen schon immer, neben der Vorfreude auf das Weihnachtsfest, vor allem eine Rüstzeit. Wer dieser Spannweite zwischen der Vorfreude auf das Kommende und Besinnung auf das Wesentliche im Leben nachspüren möchte, wird hier fündig werden und in 500 Adventsliedern eine große Zahl von Motiven und Gedanken für diese schöne Zeit im Kirchenjahr finden.
Marriage, Gender, and Desire in Early Enlightenment German Comedy
Reveals eighteenth-century German comedies' inherent resistance -- through their depiction of alternative gender roles and sexual behavior -- to the emerging discourse of the sentimental marriage. J. C. Gottsched, who reformed early Enlightenment German theater, claimed for comedy the ability to transform morality. The new literary comedies of the 1740s, among the other moral goals that they pursued, propagated a new sentimental discourse promoting marriage based on love while devaluing its traditional socioeconomic foundations. Yet in comedies by well-known dramatists of the period such as Gottsched, Gellert, J. E. Schlegel, Lessing, and Quistorp, alternative gender roles and sexual behavio...
