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German Women Writers of the Twentieth Century is an anthology of German women writers of the twentieth century and includes English translations of their German-language short stories. These short stories provide an insight into their creators' literary achievement and give some impression of the great variety and scope of their work. Comprised of 16 chapters, this volume begins with a short story by Ricarda Huch (1864-1947) entitled "Love," followed by another story entitled "The Wife of Pilate," by Gertrud von Le Fort (1876-1971). The remaining chapters present short stories by Elisabeth Langgässer (1899-1950), Anna Seghers (1900- ), Marie Luise Kaschnitz (1901-1974), Luise Rinser (1911- ), Ilse Aichinger (1921- ), Barbara König (1925- ), Ingeborg Bachmann (1926-1973), Christa Reinig (1926- ), Christa Wolf (1929- ), Gabriele Wohmann (1932- ), Helga Novak (1935- ), Gisela Elsner (1937- ), Elisabeth Meylan (1937- ), and Angelika Mechtel (1943- ). This monograph will be of interest to students, scholars, and authors who wish to know more about German literature in general and the work of German women writers in particular.
This is a personal history of the twentieth century as seen through the eyes of Edith Kurzweil, author, teacher, editor of Partisan Review, and a recent recipient of the National Medal of Humanities. The book opens with Kurzweil early adolescence in Vienna during the Nazi takeover. It ends with the author finding herself in the new century. In between, she kept moving on and interrogating the world around her. The reader follows Kurzweil on her perilous journey, at the age of fourteen, to Belgium, through France, Spain, and Portugal, alone with her younger brother. Her fantasies of reunion with her parents in New York kept her going but came to naught: she had not expected to fall from a wea...
This is the first edition of the fourteenth-century Lumen anime C and of its German translation Das liecht der sel, completed in 1426 by Ulrich Putsch, Bishop of Brixen (Bressanone) in the South Tyrol. The two works are theological compendia for use in homiletic and catechetical contexts, and teach their intended readership much about basic Christian doctrine and morality, with a special emphasis on the Virgin Mary. Their didactic method makes particular use of nature exempla and of (frequently spurious) quotations from authorities. Both were highly influential in late-medieval Germany, especially in Austria and Bavaria, but their important role in conveying the insights of late-medieval Cat...
“This international collaboration between air war historians is simply fantastic. . . . a deep-dive on the operations in a vast and very important theater of war.” —Air Classics During the final year of World War II, the defending Axis forces were steadily driven from southern skies by burgeoning Anglo-American power. This was despite the steady withdrawal of units to more demanding areas. This fifth volume of the series describes in detail the activities of the Allied tactical air forces in support of the armies on the ground as their opponents were steadily extracted from northern Italy and the Balkans for the final defense of the central European homeland. The book commences with co...
Through a series of bizarre events, Igor and Sabine, musicians at the Antwerp Opera, become entangled in a web of intrigue, beginning with a brutal murder in New York. While a famous conductor guides the musicians towards a new production of Tristan und Isolde, the Opera becomes the background for international espionage. Humor and irony underline the action, which moves through Flensburg, Brussels and Zrich to New York and Washington, D.C. When will it all end? Perhaps not until the source of coded signals emanating from the opera building is found. Perhaps not until Igor can place a pebble on the stone.
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This volume includes contributions presented at two conferences, in Mainz and Jerusalem, and presents new discoveries of binding fragments in several European libraries and archives and abroad. It presents newly discovered texts with unknown Jewish writings from the Middle Ages and analyses fragments of well-known texts, such as textual witnesses of Midrashim. One chapter overviews recent discoveries in certain collections, some of them far beyond the geographical horizon of the original project, but certainly all of European origin. Other chapters study palaeographical and codicological issues of manuscript fragments and Ashkenazic inscriptions. A final article refers to the beginnings of scholarly interest in Hebrew binding fragments in Germany and sheds light on the part played by Christian Hebraists in its development.
During the Second World War, approximately 1000 Christian chaplains accompanied Wehrmacht forces wherever they went, from Poland to France, Greece, North Africa, and the Soviet Union. Chaplains were witnesses to atrocity and by their presence helped normalize extreme violence and legitimate its perpetrators. Military chaplains played a key role in propagating a narrative of righteousness that erased Germany's victims and transformed the aggressors into noble figures who suffered but triumphed over their foes. Between God and Hitler is the first book to examine Protestant and Catholic military chaplains in Germany from Hitler's rise to power, to defeat, collapse, and Allied occupation. Drawing on a wide array of sources – chaplains' letters and memoirs, military reports, Jewish testimonies, photographs, and popular culture – this book offers insight into how Christian clergy served the cause of genocide, sometimes eagerly, sometimes reluctantly, even unknowingly, but always loyally.
Books within Books presents some recent findings and research projects on the fragments of medieval Hebrew manuscripts discovered in the bindings of other manuscripts and early printed books across Europe. This is the second collection of interdisciplinary articles on Hebrew binding fragments presenting current scholarship and its international scope. From the contemporary perspective, the fragments of medieval Hebrew manuscripts preserved until today, through their numbers (estimated 30,000 fragments, so more than double of the number of the known Hebrew volumes produced in medieval Europe ), the texts they carry (some of them have been previously unknown), the insights into book making techniques and finally their economic impact, are an unprecedented source for our knowledge of the Hebrew book culture and literacy as well as the economic and intellectual exchanges between the Jewish minority and their non-Jewish neighbours.