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John Chavis had a profound impact upon the history of North Carolina, the life of African Americans, and the course of religion in America. Born in 1763, Chavis fought in the American Revolution and studied at Princeton, becoming the first black person ordained as a missionary minister in the Presbyterian church. Many of those who learned from his teachings were white, and many of the students in his Latin grammar school were the sons of prominent North Carolinians. His lifelong relationship with his students created connections with some of the most powerful individuals of the nineteenth century, and his religious writings can still stir the soul more than 150 years after his death. Chavis's story illustrates the power of faith, intelligence, and determination to overcome the precariousness of life for a free black man in this era. This account of Chavis's life, the result of research by one of his descendants, presents a thorough examination of his life, his work, and the world in which he lived. Also included is the full text of John Chavis's Letter Upon the Doctrine of the Extent of the Atonement of Christ (1837), long considered lost by many of his biographers.
"This book examines how American colleges and universities since the mid-nineteenth century have used students' race, religion, and ethnicity in deciding whom to admit and how to shape enrolled students' campus social life"--
FREEDOM ROAD is an historic account of Americas oldest recorded African American family, and their participation and rich contributions to American history over a four hundred year period. FREEDOM ROAD is a compilation of well-documented individual stories that begins in Africa in 1483, and from there, spans over fifteen generations and three continents, and definitively changes our understanding of American history, showcasing the significant role that one African American family has played from colonial American history to present day. This book is an exciting and compelling American saga that captivates readers with the story of the enslavement of John Gowen, one of the first Africans bro...
Using ethnographic and archival sources, Chad E. Seales argues in The Secular Spectacle that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics.
Examines the interdenominational pursuits of the American Presbyterian Church from 1758 to 1801 In Unity in Christ and Country: American Presbyterians in the Revolutionary Era, 1758–1801, William Harrison Taylor investigates the American Presbyterian Church’s pursuit of Christian unity and demonstrates how, through this effort, the church helped to shape the issues that gripped the American imagination, including evangelism, the conflict with Great Britain, slavery, nationalism, and sectionalism. When the colonial Presbyterian Church reunited in 1758, a nearly twenty-year schism was brought to an end. To aid in reconciling the factions, church leaders called for Presbyterians to work mor...
Explores the way that four major works of Russian literature--Gogol's Dead Souls, Goncharov's Oblomov, Zamiatin's We, and Bulgakov's The Master and Margarita--define a cultural "self" for the Russian people. Focusing on the deep cultural currents that pull Russian society in contradictory ways, Noplace Like Home also explores the writer's struggle to overcome these tensions through the creation of a literary utopia.
This first volume of "CrossRoads: A Southern Culture Annual picks up where its predecessor, the acclaimed biannual periodical "CrossRoads: A Journal of Southern Culture, left off when the latter ceased publication in the mid-1990s. Formerly edited by several graduate students affiliated with the University of Mississippi's Center for the Study of Southern Culture (primarily by current editor Ted Olson), "Cross Roads: A Southern Culture Annual will continue its original mission: to provide a forum for diverse perspectives on the South and on Southern culture through combining compelling new fiction and poetry from well-known as well as emerging Southern authors, with eloquent articles, memoirs, oral histories, and photo essays that interpret and celebrate relevant manifestations of the Southern cultural experience. "CrossRoads: A Southern Culture Annual will deepen readers' awareness of and connection to the South.
This collection of essays profiles a diverse array of North Carolinians, all of whom had a hand in the founding of the state and the United States of America. It includes stories of how men who stood together to fight the British soon chose opposing sides in political debates over the ratification of the supreme law of the land, the Constitution. It also includes accounts of women, freedmen, and Native Americans, whose narratives shed light on the important roles of marginalized peoples in the Revolutionary South. Together, the essays reveal the philosophical views and ideology of North Carolina's revolutionaries. Contributors: Jeff Broadwater, Jennifer Davis-Doyle, Lloyd Johnson, Benjamin R. Justesen, Troy L. Kickler, Scott King-Owen, James MacDonald, Maggie Hartley Mitchell, Karl Rodabaugh, Kyle Scott, Jason Stroud, Michael Toomey, and Willis P. Whichard.
At the time of the Revolutionary War, a fifth of the Colonial population was African American. By 1779, 15 percent of the Continental Army were former slaves, while the Navy recruited both free men and slaves. More than 5000 black Americans fought for independence in an integrated military--it would be the last until the Korean War. The majority of Indian tribes sided with the British yet some Native Americans rallied to the American cause and suffered heavy losses. Of 26 Wampanoag enlistees from the small town of Mashpee on Cape Cod, only one came home. Half of the Pequots who went to war did not survive. Mohegans John and Samuel Ashbow fought at Bunker Hill. Samuel was killed there--the first Native American to die in the Revolution. This history recounts the sacrifices made by forgotten people of color to gain independence for the people who enslaved and extirpated them.