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The book of Psalms was at the core of devotional practice in western Christianity throughout the Middle Ages. The study of medieval Latin Psalters provides evidence for the owners, users, and makers of each of these unique books. This volume examines Psalter manuscripts as objects, exploring how they were designed and the changes that have been made to them over time. The choices made about text, decoration, size, and layout in these manuscripts reveal a diverse range of engagements with the Psalms, as they were sung, read, and scrutinized. The book thus sheds new light on some of the treasures of Trinity College Dublin and the Chester Beatty Library. *** Slim in format and heavy in insights...
Beginning with the ghost story of popular report and following the form into print as the local expands to the global, these essays trace the movement from the almost palpable manifestations of traditional ghosts to the psychological terrors of the modern form.
"Drawing on a wide variety of critical approaches, from philology to ecocriticism ... this collection explores the interaction of culture and nature that imbue's Tolkien's secondary world with the immediacy of our own"--Dust jacket flap.
Showcases current and original scholarship relating to women and Early Medieval English culture and Early Medieval English studies and promises to stimulate new work in those areas.
A collection of twelve wide-ranging papers on the language, religious texts and literature of early Ireland and Anglo-Saxon England. The essays, all richly furnished with contemporary Latin or vernacular extracts, examine beliefs, memories and social and political ideals, as well as linguistics, which defined the place of individuals and communities. Subjects include the continued interest in Classical mythology and use of Roman terms, the relevance of religious texts, such as Aelfric's Old Testament, to the issues of the day, central religious beliefs, notably the harrowing of hell, warfare and humourous texts or riddles.
Brought together by an impressive, international array of contributors this book presents a representative study of some of the many misinterpretations that have evolved concerning the medieval period.
Some of the most important authors in British poetry left their mark onliterature before 1600, including Geoffrey Chaucer, Edmund Spenser, and, of course, William Shakespeare. "The Facts On File Companion to British Poetry before 1600"is an encyclopedic guide to British poetry from the beginnings to theyear 1600, featuring approximately 600 entries ranging in length from300 to 2,500 words.
In spite of Connie Willis’s numerous science fiction awards and her groundbreaking history as a woman in the field, there is a surprising dearth of critical publication surrounding her work. Taking Doomsday Book as its cue, this collection argues that Connie Willis’s most famous novel, along with the rest of her oeuvre, performs science fiction’s task of cognitive estrangement by highlighting our human inability to read the times correctly—and yet also affirming the ethical imperative to attempt to truly observe and record our temporal location. Willis’s fiction emphasizes that doomsdays happen every day, and they risk being forgotten by some, even as their trauma repeats for others. However, disasters also have the potential to upend accepted knowledge and transform the social order for the better, and this collection considers the ways that Willis pairs comic and tragic modes to reflect these uncertainties.
Eleven major scholars of the Anglo-Saxon period consider Alfred the Great, his cultural milieu, and his achievements. With revised or revived views of the Alfredian revival, the contributors help set the agenda for future work on a most challenging period. The collection features the methods of history, art history, and literature in a newer key and with an interdisciplinary view on a period that offers less evidence than inference. Major themes linking the essays include authorship, translation practice and theory, patristic influence, Continental connections, and advances in textual criticism. The Alfredian moment has always surprised scholars because of its intellectual reach and its ambition. The contributors to this collection describe how we must now understand that ambition.
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.