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The Peabody Sisters
Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earlies...
Ordinary Women, Extraordinary Lives
A collection of biographical sketches providing an introduction to both the contrasts and continuities of American women's experience through nearly four centuries. Major subjects and themes emerge, including women's rights, suffrage, education, health, women's liberation, and marriage.
Shades of Authority
What is the relationship between poetry and power? Should poetry be considered a mode of authority or an impotent medium? And why is it that the modern poets most commonly regarded as authoritative are precisely those whose works wrestle with a sense of artistic inadequacy? Such questions lie at the heart of Shades of Authority, prompting fresh insights into three of the most important poets of recent decades: Robert Lowell, Geoffrey Hill, and Seamus Heaney. Through attentive close readings, James shows how their responsiveness to matters of political and cultural import lends weight to the idea of poetry as authoritative utterance—but also how each is exercised by a sense of the limitations and liabilities of language itself.
Suffering and the Remedy of Art
This book suggests that a listening to suffering may profit from a literary hearing, and vice versa. It is not only that literature tells of suffering but that suffering may tell us something about the nature of literature
North American Players of Shakespeare
This is a collection of interviews of twenty-one actors from Shakespeare theaters and festivals across North America, from the Oregon Shakespeare Festival in Ashland to the Chicago Shakespeare Theatre and the Stratford Shakespeare Festival in Ontario. The interviews celebrate the variety in education, training, and approaches to acting conducted by recognized performance scholars. Thus, this book combines scholarly expertise with actors' insights to produce unique views on contemporary Shakespearean performances in the United States and Canada, and fills an important niche in performance criticism. Michael W. Shurgot is Professor of Humanities at South Puget Sound Community College.
The Grounding of American Poetry
His argument focuses on four pairs of poets - Eliot/Williams, Thoreau/Olson, Emerson/Duncan, and Whitman/Creeley - and points out that although Williams, Olson, Duncan, and Creeley are all influenced by these predecessors to some extent, ultimately their poetry is, paradoxically, grounded in an essential groundlessness.
Novel Arguments
Novel arguments argues that innovative fiction - by which is meant writing that has been variously labeled postmodern, metafictional, experimental - extends our ways of thinking about the world, and rejects the critical consensus that, under the rubrics of postmodernism and metafiction, homogenizes this fiction as autonomous and self-absorbed. Play, self-consciousness, and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The book advances a concept of the "argument" of fiction as a construct wedding structure and content into a highly evolved and expressive experimental form. Close readings of five important innovative novels by Donald Barthelme, Ishmael Reed, Robert Coover, Walter Abish, and Kathy Acker show how they articulate matters of substance, social engagement, and ideological currency by virtue of the act of innovation. Walsh deftly argues for a new understanding of fictional cognition at the theoretical level, and, in an act of great critical creativity, discards altogether the flattening totalities of received postmodern formulations.
Reimagining Thoreau
Reimagining Thoreau synthesizes the interests of the intellectual and psychological biographer and the literary critic in a reconsideration of Thoreau's career from his graduation from Harvard in 1837 to his death in 1862. The purposes of the book are threefold: 1) to situate Thoreau's aims and achievements as a writer within the context of his troubled relationship to m microcosm of ante-bellum Concord; 2) to reinterpret Walden as a temporally layered text in light of the successive drafts of the book and the evidence of Thoreau's journals and contemporaneous writings; and 3) toverturn traditional views of Thoreau's decline by offering a new estimate of the post-Walden writing and its place within Thoreau's development.
Reading the West
The American West of myth and legend has always exerted a strong hold on the popular imagination, and the essays in Reading the West examine some of the basis of that fascination. Reading the West, first published in 1996, is a collection of critical essays by writers, independent scholars and critics on the literature of the American West in the last two centuries. It showcases new ways of reading and understanding western writing. Arguing for the importance of 'place' in literature, these essays explore what makes representative literary works 'western'. They also explore the multicultural and ecological dimensions of western writing. This volume helps enrich our understanding of a distinguished body of literary work which has sometimes been unjustly ignored. It deals not only with literature but with the changing conception of the West in the American imagination.
Woman Thinking
This book explores the theoretical relationship between feminism and transcendentalism through the ideas and activism of prominent 19th century female thinkers and activists. By analyzing the work of such important figures in post-Civil War American intellectual life_such as Ednah Cheney, Caroline Dall, Margaret Fuller, and Elizabeth Oakes Smith_Tiffany Wayne demonstrates how transcendentalism provided a language with particular appeal to women and helped promote an emerging feminist movement with a similar goal of acknowledging women's right to self-development. Bridging the gap between the traditionally disparate fields of women's history and American intellectual history, this book is as much a re-visioning of transcendentalism_arguing for recognition of its more widespread and long-lasting influence in American cultural life_as a project in historicizing feminist theory.
