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Fors seulement
xxv + 104 pp.
A Stunning World of Faith, Family, and Friendship- and The Unforeseeable
Much of the world we live in is perceived by many as dangerous and unfriendly. Well into his early adulthood, the author thought so, to the extent that he had little interest in traveling outside the boundaries of his homeland. He certainly lacked any interest whatsoever in traveling overseas. While the author travelled extensively throughout the United States for work-related as well as personal purposes, preplanning of trip details was the norm. Assistance of tourist agencies was utilized regularly in order to assure comfort and safety. Overnight accommodations were almost always prearranged. All plans focused on assuring comfort and convenience. While the author proclaimed Christian faith...
Life Story Work with Children who are Fostered Or Adopted
The number of traumatized children in foster care and adoptive families is on the rise every year. In times like these, social work practitioners rarely have sufficient time to plan out each of their sessions. This book makes it possible. Life Story Work with Children who are Fostered or Adopted: Creative Activites and Ideas is a brief and accessible resource guide to life story work. Focused on methods and activities that have been tried and tested by social workers and therapists, these are simple activities that require minimal resources that range from how to build the foundation to Life Story Work to boosting a child's self-esteem and identity. The chapters are categorized in a way that makes it easy for the practitioner to identify which method will be appropriate for the stage of the work they are undertaking. This book will be a vital resource for social workers, foster caregivers, students and any frontline practitioner involved in working with traumatized children.
Studies in the Printing, Publishing and Performance of Music in the 16th Century
The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.
