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An essay collection that significantly expands previous scholarly writing on award-winning science fiction and fantasy author Lois McMaster Bujold, arguing for the significant contributions her works make to feminist and queer thought, disability studies and fan studies.
M/M Cozy Mystery Wait just a minute. A whole month has passed, and no one has been murdered in Pearl Cove? Things are settling down in Pearl Cove as Kip and Merrick fumble their way through a new relationship. There’s no denying the two men have deep feelings for each other, but trust issues can play havoc when people don’t communicate well. When Kip’s office manager, Helen, has her home burgled, but nothing is stolen, the Pearl Cove PD has little interest in solving the case. Kip, Charlene, and Helen decide a little amateur sleuthing couldn’t hurt anything. Not surprisingly, Police Chief Dawson disagrees. He wholeheartedly disapproves of his boyfriend’s plan to nab the trespasser. But if the police won’t do anything, Kip isn’t about to turn his back on his friend. In fact, it’s rather fun to play detective… until the thief tries to murder them. This is book three in my Kip O'Connor M/M Cozy Mystery series. Each book has a cozy feel to it, and there is a strong romantic storyline in each book. No on-page graphic steam, but some mild violence.
Feminist theorist and philosopher Donna Haraway has substantially impacted thought on science, cyberculture, the environment, animals, and social relations. This long-overdue volume explores her influence on feminist theory and philosophy, paying particular attention to her more recent work on companion species, rather than her "Manifesto for Cyborgs." Margret Grebowicz and Helen Merrick argue that the ongoing fascination with, and re-production of, the cyborg has overshadowed Haraway's extensive body of work in ways that run counter to her own transdisciplinary practices. Sparked by their own personal "adventures" with Haraway's work, the authors offer readings of her texts framed by a seri...
From The Matrix and Harry Potter to Stargate SG:1 and The X-Files, recent science fiction and fantasy offerings both reflect and produce a sense of the religious. This work examines this pop-culture spirituality, or "postmodern sacred," showing how consumers use the symbols contained in explicitly "unreal" texts to gain a secondhand experience of transcendence and belief. Topics include how media technologies like CGI have blurred the lines between real and unreal, the polytheisms of Buffy and Xena, the New Age Gnosticism of The DaVinci Code, the Islamic "Other" and science fiction's response to 9/11, and the Christian Right and popular culture. Today's pervasive, saturated media culture, this work shows, has utterly collapsed the sacred/profane binary, so that popular culture is not only powerfully shaped by the discourses of religion, but also shapes how the religious appears and is experienced in the contemporary world.
Over thirty-five years ago, Doug Fortenberry was near fatally injured in a motorcycle accident with a car attempting a U-turn on top of a steep hill. The accident left Doug paralyzed and confined to a wheelchair, along with painful lifelong injuries he continues to struggle with to this day. This collection of essays and anecdotes explores Doug's journey to recover from his injuries and embrace his new life as a paraplegic. Since that accident changed Doug's life, he doesn't dwell on the unanswerable question of, "Why do bad things happen to good people?" In an attention-getting style, he presents the possibilities of the future by asking, "Now that this has happened, what shall I do about it?" His no-nonsense story makes a powerful impact, helping people meet the challenge of adversity through his formula for success: faith + attitude + action + accountability = success and excellence. His compelling adventure reveals how he has turned a combination of liability and disability into an asset and personal strength. If you are willing, he is able to help anyone become their best.
Patterns of production and consumption are foundation stones of contemporary media studies. Trash Aesthetics takes the audience as its starting point in a collection which explores aspects of audience response, interaction and manipulation.
The book explores the multi-faceted nature of contemporary reflections on agency, focusing on various discursive practices that shape the posthumanist approach to the relationship between the human and non-human world from a planetary perspective. The chapters delve into critical human-animal studies, examine new non-anthropocentric identity constructs, and offer analyses that reinterpret meanings through semiotic inversions and challenge static cultural patterns. The book concludes with discussions on decolonization practices that aim to liberate agency from oppressive systems, particularly those dominated by imperial phallogocentrism.
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