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Interoception is the body-to-brain axis of sensations that originates from the internal body and visceral organs. The Interoceptive Mind: From Homeostasis to Awareness offers a state-of-the-art overview of, and insights into, the role of interoception for mental life, awareness, subjectivity, affect, and cognition.
This volume brings together contributions by philosophers, art historians and artists who discuss, interpret and analyse the moving and gesturing body in the arts. Broadly inspired by phenomenology, and taking into account insights from cognitive science, the contribution of the motor body in watching a film, attending a dance or theatre performance, looking at paintings or drawings, and listening to music is explored from a diversity of perspectives. This volume is intended for both the specialist and non-specialist in the fields of art, philosophy and cognitive science, and testifies to the burgeoning interest for the moving and gesturing body, not only in the creation but also in the perception of works of art. Imagination is tied to our capacity to silently resonate with the way a work of art has been or is created.
Emphasizing the visual arts, including performance art, this book focuses on artists' writings that challenge our understanding of them as a text or an instance of reflection
The body, as the common ground for objectivity and (inter)subjectivity, is a phenomenon with a perplexing plurality of registers. Therefore, this innovative volume offers an interdisciplinary approach from the fields of neuroscience, phenomenology and psychoanalysis. The concepts of body image and body schema have a firm tradition in each of these disciplines and make up the conceptual anchors of this volume. Challenged by neuropathological phenomena, neuroscience has dealt with body image and body schema since the beginning of the twentieth century. Halfway through the twentieth century, phenomenology was inspired by child development and elaborated a specifically phenomenological account of body image and schema. Starting from the mirror stage, this source of inspiration is shared with psychoanalysis which develops the concept of body image in interaction with the clinic of the singular subject. In this volume, the creative encounter of these three perspectives on the body opens up present-day paths for conceptualisation, research and (clinical) practice. (Series B)
Therefore, this volume offers an interdisciplinary approach from the fields of neuroscience, phenomenology and psychoanalysis
Body schema is a system of sensory-motor capacities that function without awareness or the necessity of perceptual monitoring. Body image consists of a system of perceptions, attitudes, and beliefs pertaining to one's own body. In 2005 Shaun Gallagher published an influential book entitled How the Body Shapes the Mind (OUP). That book not only defined both body schema and body image, but explored the complicated relationship between the two. It also established the idea that there is a double dissociation, whereby body schema and body image refer to two different but closely related systems. Given that many kinds of pathological cases can be described in terms of body schema and body image (...
This impressive volume of essays that includes contributions from Hubert Dreyfus, Mike Wheeler and Shaun Gallagher reflects an emerging trend in cognitive science, and explores this new approach to cognitive science informed by Heidegger's thoughts on human existence.
Postphenomenology is a fascinating investigation of the relationships between global culture and technology. The impressive range of subjects to which Don Ihde applies his skill as a phenomenologist is unified by what he describes as "a concern which arises with respect to one of the now major trends of Euro-American philosophy--its textism." He adds, "I show my worries to be less about the loss of subjects or authors, than I do about [there] not being bodies or perceivers."
"This collection is a much-needed remedy to the confusion about which varieties of enactivism are robust yet viable rejections of traditional representationalism approaches to cognitivism and which are not. Hutto's paper is the pivot around which the expert commentators, enactivists and non-enactivists alike, sketch out the implications of enactivism for a wide variety of issues: perception, emotion, the theory of content, cognition, development, social interaction, and more. The inclusion of thoughtful replies from Hutto gives the volume a further degree of depth and integration often lacking in collections of essays. Anyone interested in assessing the current cutting-edge developments in the embodied and situated sciences of the mind will want to read this book."Ron Chrisley, University of Sussex, UK
Peter Beyls is a Belgian pioneering interdisciplinary artist who has been exploring computer programming for nearly four decades. His work extends into the visual arts, music and hybrid experimental formats. In light of the publication of a monograph by MER Paperkunsthalle, IMAL organises the first major survey exhibition of Peter Beyls in Belgium featuring a significant selection of works from 1974 until today.A comprehensive selection of machine drawings is shown reflecting the wide range of algorithmic approaches explored by the artist. Initial experiments focus on uncertainty and conditional randomness, typically organised as grid structures. Further grid-based work employs cellular auto...