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My Operatic Roles
This book was produced for Placido Domingo's 60th birthday and the 40th anniversary of his debut in a major role (Alfredo in La Traviata in 1961). It is a portrait of the artist in his own words, through his own portrayals of the various operatic heroes he has so grippingly and hauntingly brought to life over the years. The series of interviews took place all over the world over several years, from Seville to New York to Vienna and home in Acapulco. They trace his journey into each of his 62 major roles for the benefit of present and future singers, to single out the specific vocal aspects in each role that he considers significant. - Author's note.
Fashion Designers At the Opera
The most theatrical of arts inspires the most visionary fashion designers to create extraordinary costumes for extraordinary productions: a glorious book for fashionistas and opera fans. Fashion and opera are natural arenas for collaboration. In 2009–2010 alone, Viktor & Rolf, Miuccia Prada, Emanuel Ungaro, and Christian Lacroix made successful sorties as costumers for operas in New York, Baden-Baden, Naples, and Berlin. In this sumptuous new book, leading figures in the world of fashion— Giorgio Armani, Marc Bohan, Christian Lacroix, Karl Lagerfeld, Ottavio and Rosita Missoni, Miuccia Prada, Zandra Rhodes, Emanuel Ungaro, Gianni Versace, and Viktor & Rolf—are profiled, together with i...
Maestro - Encounters with Conductors of Today
Maestro - Encounters with Conductors of Today
Zandra Rhodes
This beautifully illustrated volume surveys the textile and fashion designs of one of Britain's most distinctive creative voices, marking the 50th anniversary of the house of Zandra Rhodes.
Diva
"Opera lovers. . . will take delight in these divas' candor and self-revelations." -- Booklist
African American Arts
Trans Identity as Embodied Afrofuturism / Amber Johnson -- "I Luh God" : Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination / Sammantha McCalla -- The Conciliation Project as a Social Experiment : Behind the Mask of Uncle Tomism and the Performance of Blackness / Jasmine Coles & Tawnya Pettiford-Wates.
Maori and Aboriginal Women in the Public Eye
"From 1950, increasing numbers of Aboriginal and Māori women became nationally or internationally renowned. Few reached the heights of international fame accorded Evonne Goolagong or Dame Kiri Te Kanawa, and few remained household names for any length of time. But their growing numbers and visibility reflected the dramatic social, cultural and political changes taking place in Australia and New Zealand in the second half of the twentieth century. This book is the first in-depth study of media portrayals of well-known Indigenous women in Australia and New Zealand, including Goolagong, Te Kanawa, Oodgeroo Noonuccal and Dame Whina Cooper. The power of the media in shaping the lives of individuals and communities, for good or ill, is widely acknowledged. In these pages, Karen Fox examines an especially fascinating and revealing aspect of the media and its history -- how prominent Māori and Aboriginal women were depicted for the readers of popular media in the past."--Publisher's description.
"O ma Carmen"
"Qu'est-ce que c'est?" (What is it?) mezzo-soprano Celestine Galli-Marie asked when offered the title role in the 1875 premier of Bizet's new opera, Carmen. She was only the first in a long line of performers to ask. In the 140+ years since, each singer has crafted her own portrayal of the inscrutable Gypsy. The famous soprano Geraldine Farrar wrote: "Each one of us probably sees something that the others have not seen--or thinks she does--and that 'something' is her individual Carmen." This book explores the history of operatic portrayals of Bizet's elusive enchantress, tracing the development of vocal and dramatic interpretations from generation to generation around the globe.
Opera Coaching
"Opera Coaching "is the first practical guide for pianists, singers, and opera producers to this important--and often neglected--career. The opera coach is a teacher who helps singers not only meet the physical and vocal demands of a score, but--like the dramatic coach--shapes their entire performance. The opera coach must have a wide knowledge, from a full understanding of human physiognomy and the human voice, to the many languages used in Western vocal music, to the entire expanse of the opera repertoire, from its roots in 17th century sung drama through today's most modern compositions. "Opera Coaching "covers all of these topics and more, making it the ideal resource for anyone interested in this fascinating career.
